Epic in dancing steps

前言
第一节迁徙，迁徙，迁徙／21
Section One The Migratory Ethnic Group—the History and Native Environment of an Ethnic Group of Guizhou
蚩尤后裔／21
The Tribal Origin of Miao people
涿鹿之败／21
The defeat of Zhuolu War became the beginning of the historic migration
落根贵州／27
The Guizhou Base Camp
第二节苗族，永远的舞者／35
Section Two A Dancing Nationality—Dance Plays an Important Role in the Social Life of the Miao People of Guizhou
祭祀祖先要跳舞／35
Dancing when they Worship Ancestors and Pray for Happiness
节日庆典要跳舞／39
Dancing when they Celebrate Festivals
恋爱婚姻要跳舞／43
Dancing for the Marriage Proposal
超度祭奠要跳舞／47
Dancing when they Hold Memorial Ceremony for the Deceased
第三节舞殇，冲击与挣扎／53
Section Ⅲ A Time of Transformation—the Influence of Current Cultural and Ecological Changes over the Miao Dance in Guizhou
文化自觉的迷失／53
As a Result of Modern Civilization，there is a Lack of Cultural Consciousness of the Miao Dance
传承方式的衰变／55
The Out—dated Ways of Inheritance Hinders the Inhefitfince and Development of the Miao Dance
生存空间的萎缩／57
A Lack of Protection of the Original Ecology Leads to a Gradual Shrinking of the Living Space of the Miao Dance
第二章 舞步上的讲述：“迁徙舞”的文化考察
第一节“迁徙舞”的叙史性特征／67
Section One Historical Narration as a Feature of the Migration Dance
民族记忆／67
National Memory
“迁徙舞”之“大”与“小”／71
The Main Forms of Historical Narration in the Migration Dance
舞步如歌／81
The Cultural Essence of Historical Narration in the Migration Dance
第二节舞蹈叙史的多样性特征／97
Section Two The Diversity of the Migration Dance
多样性的成因／97
The Formation Background of the Diversity of the Migration Dance
多样性的特征／107
The Diversity of the Migration Dance
第三章 心灵的咏叹： “迁徙舞”的美学分析／121
第一节从“实际活动”到“审美活动”／123
Section One From Practical Activties to Aesthetic Activties
从发生学角度看人类原始舞蹈艺术的审美特性／123
The Study of the Aesthetic Characteristics of Human Original Dancing Art from the Perspective ofEmbryology
作为人类审美活动发生的“活化石”的“迁徙舞”／135
The Migration Dance as the Living Fossil that Generated from Human Aesthetic Activities
第二节从“动觉经验”到“动态意象”／147
Section Two From the “Kinesthetic Experience”to“Dynamic Image”
人类原始舞蹈艺术形式中“环舞”象征功能的一般分析／147
The General Analysis of Symbolism Found in the Form of the Original “Ring Dance”
“大迁徙舞”中“环舞”形式象征功能及形式美的特点／151
The Poussette’s Symbofic Function and Charatceristics of Formal Beauty in the Great Migration Dance
结语 Conclusion／161
参考文献 Reference／168