简介
Summary:
Publisher Summary 1
In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War II. New Zealand-born architect Thomas Daniell arrived in Japan at the dawn of this turbulent decade. After the Crashis an anthology of essays that draw on firsthand observations of the built environment and architectural culture that emerged from the economically sober post-bubble period of the 1990s. Daniell uses projects and installations by architects such as Atelier Bow Wow, Toyo Ito, and the metabolists to illustrate the new relationships forged, most of necessity, between architecture and society in Japan.
目录
Table Of Contents:
Foreword
Study on the Edge 8(2)
Hitoshi Abe
Acknowledgments 10(2)
Introduction 12(6)
Genealogies and Tendencies 18(32)
Less Than Zero: Minimalism and Beyond 21(7)
Re: Contextualism 28(3)
Kazunari Sakamoto: Keeping the Faith 31(6)
The Visceral and the Ephemeral 37(8)
Kazuhiro Ishii: Meta-architecture 45(5)
Domestic Spaces 50(16)
The Refraction House 53(4)
Two Degrees of Separation 57(3)
The Hu-tong House 60(3)
Pushing the Envelope 63(3)
New Prototypes 66(22)
Brand Recognition: The FOB Homes System 69(7)
Reflecting Modern Life 76(6)
Living Dangerously 82(6)
Public Places 88(26)
The Sendai Mediatheque 91(6)
The Glass Library 97(5)
Immaculate Conception: The 21st Century Museum of Contemporary Art 102(4)
Balancing Act: MVRDV in Japan 106(8)
Revitalizing Metabolism 114(26)
Organ: Metabolism without Megastructure 117(5)
Kisho Kurokawa in Malaysia 122(8)
Mirage City: Another Utopia 130(10)
Nature and Artifice 140(20)
Back to Nature 143(4)
Strange Attractor: Yokohama International Port Terminal 147(8)
Borrowed Scenery: Walking in the Footsteps of Laurie Anderson 155(5)
Urban Views 160(32)
Fitting In: Small Sites in Urban Japan 163(7)
Pretty Vacant: The Photographs of Takashi Homma 170(6)
Letter from Kyoto 176(10)
Afterword
More Lines 186(6)
Ari Seligmann
Credits 192
Foreword
Study on the Edge 8(2)
Hitoshi Abe
Acknowledgments 10(2)
Introduction 12(6)
Genealogies and Tendencies 18(32)
Less Than Zero: Minimalism and Beyond 21(7)
Re: Contextualism 28(3)
Kazunari Sakamoto: Keeping the Faith 31(6)
The Visceral and the Ephemeral 37(8)
Kazuhiro Ishii: Meta-architecture 45(5)
Domestic Spaces 50(16)
The Refraction House 53(4)
Two Degrees of Separation 57(3)
The Hu-tong House 60(3)
Pushing the Envelope 63(3)
New Prototypes 66(22)
Brand Recognition: The FOB Homes System 69(7)
Reflecting Modern Life 76(6)
Living Dangerously 82(6)
Public Places 88(26)
The Sendai Mediatheque 91(6)
The Glass Library 97(5)
Immaculate Conception: The 21st Century Museum of Contemporary Art 102(4)
Balancing Act: MVRDV in Japan 106(8)
Revitalizing Metabolism 114(26)
Organ: Metabolism without Megastructure 117(5)
Kisho Kurokawa in Malaysia 122(8)
Mirage City: Another Utopia 130(10)
Nature and Artifice 140(20)
Back to Nature 143(4)
Strange Attractor: Yokohama International Port Terminal 147(8)
Borrowed Scenery: Walking in the Footsteps of Laurie Anderson 155(5)
Urban Views 160(32)
Fitting In: Small Sites in Urban Japan 163(7)
Pretty Vacant: The Photographs of Takashi Homma 170(6)
Letter from Kyoto 176(10)
Afterword
More Lines 186(6)
Ari Seligmann
Credits 192
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