Silence in Harold Pinter’s dramatic discourse: a pragmastylistic perspective
副标题：无
作 者：王燕著
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ISBN：9787516133675
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简介
《哈罗德·品特戏剧话语里沉默现象的语用文体学研究》为揭开这两个问题的谜底，首先将研究的矛头探入沉默的本质，证实沉默是人类话语交际中有机、动态、不可或缺的组成部分，并厘清沉默和言语、沉默和其它语言成份的关系。接下来，《哈罗德·品特戏剧话语里沉默现象的语用文体学研究》依照品特本人的观点、将其戏剧中的沉默分成两大类别：静默和语境沉默b为了探究沉默在品特戏剧文本中所发挥的功能和作用，它被视为一种语用行为：在两个层面的交际中发挥着重要功能：一个是剧本内部的，剧中人物之间的微观语境的交际；一个是延伸到剧本外部、涵盖社会文化语境、从作者到受众的宏观语境的交流。
目录
Preface
PART ONE PRELIMINARIES
Chapter Ⅰ Introduction
1.1 Research Motivations and Questions
1.2 The Problems of the Previous Researches on the
Silence in Pinter' s Drama
1.3 The Relevant Solutions Proposed by the Current
Research
PART TWO FEATURES AND NORMS OF SILENCE
Chapter Ⅱ Silence in the Realm of Language
2. 1 Introduction
2.2 General Definitions of Silence
2.3 The Nonabsolute Nature of Silence
2.4 Silence as an Organic Linguistic Component
2.5 Why is "a Torrent of Language" Silence?
2.6 Conclusion
Chapter Ⅲ Taxonomies of Silences
3.1 Introduction
3.2 Taxonomies of Silences in General
3.3 A Typology of Silences in Pinter's Drama
3.4 Conclusion
PART THREE PRAGMATIC FUNCTIONS OF SILENCES IN PINTER'S DRAMATIC DISCOURSE
Chapter Ⅳ Theoretical Framework and Methodology
4. 1 Introduction
4.2 Pragmatic Act Theory as the Theoretical Framework
4. 3 Interpretation Methods of Silence
4.4 Conclusion
Chapter Ⅴ Silences as Pragmatic Acts in the Interactions among Characters
5.1 Introduction
5.2 Silences as Cognitive Acts
5.3 Silences as Emotional Acts
5.4 Silences as Intentional Acts
5.5 Conclusion
Chapter Ⅵ Silences as Pragmatic Acts in the Communication from the Playwright to the Reader/Audience
6. 1 Introduction
6.2 The Model of Literary Communication in Pinter' s Dramatic Discourse
6.3 Silences as Thematic Acts
6.4 Silences as Dramatic Acts
6.5 Silences as Poetic Acts
6.6 Conclusion
PART FOUR Finale
Chapter Ⅶ Conclusion
7. 1 Summary
7.2 Contributions and Implications
7.3 Limitations and Suggestions
Bibliography
Appendix
Acknowledgements
PART ONE PRELIMINARIES
Chapter Ⅰ Introduction
1.1 Research Motivations and Questions
1.2 The Problems of the Previous Researches on the
Silence in Pinter' s Drama
1.3 The Relevant Solutions Proposed by the Current
Research
PART TWO FEATURES AND NORMS OF SILENCE
Chapter Ⅱ Silence in the Realm of Language
2. 1 Introduction
2.2 General Definitions of Silence
2.3 The Nonabsolute Nature of Silence
2.4 Silence as an Organic Linguistic Component
2.5 Why is "a Torrent of Language" Silence?
2.6 Conclusion
Chapter Ⅲ Taxonomies of Silences
3.1 Introduction
3.2 Taxonomies of Silences in General
3.3 A Typology of Silences in Pinter's Drama
3.4 Conclusion
PART THREE PRAGMATIC FUNCTIONS OF SILENCES IN PINTER'S DRAMATIC DISCOURSE
Chapter Ⅳ Theoretical Framework and Methodology
4. 1 Introduction
4.2 Pragmatic Act Theory as the Theoretical Framework
4. 3 Interpretation Methods of Silence
4.4 Conclusion
Chapter Ⅴ Silences as Pragmatic Acts in the Interactions among Characters
5.1 Introduction
5.2 Silences as Cognitive Acts
5.3 Silences as Emotional Acts
5.4 Silences as Intentional Acts
5.5 Conclusion
Chapter Ⅵ Silences as Pragmatic Acts in the Communication from the Playwright to the Reader/Audience
6. 1 Introduction
6.2 The Model of Literary Communication in Pinter' s Dramatic Discourse
6.3 Silences as Thematic Acts
6.4 Silences as Dramatic Acts
6.5 Silences as Poetic Acts
6.6 Conclusion
PART FOUR Finale
Chapter Ⅶ Conclusion
7. 1 Summary
7.2 Contributions and Implications
7.3 Limitations and Suggestions
Bibliography
Appendix
Acknowledgements
Silence in Harold Pinter’s dramatic discourse: a pragmastylistic perspective
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