简介
This collection of comparative critical and theoretical essays examines the reciprocal literary relationship between James Baldwin and Toni Morrison on topics ranging from their use of jazz and the blues, to their critiques of whiteness and their brilliant analyses of America's racial politics. In particular, the essays note those points of convergence and divergence between the two authors and also point to instances where one author signifies on the work of the other or takes up and expands a discussion where the other left off. Contributors range from well-established senior scholars, Trudier Harris and E. Frances White, to emerging international scholars, Anna Kerchy and Keren Omry.
目录
Acknowledgments p. ix
Introduction: Baldwin and Morrison in Dialogue Lovalerie King p. 1
Baldwin's Bop 'n' Morrison's Mood: Bebop and Race in James Baldwin's Another Country and Toni Morrison's Jazz Keren Omry p. 11
Narrating the Beat of the Heart, Jazzing the Text of Desire: A Comparative Interface of James Baldwin's Another Country and Toni Morrison's Jazz Anna Kerchy p. 37
Revising Revision: Methodologies of Love, Desire, and Resistance in Beloved and If Beale Street could Talk Michelle H. Phillips p. 63
Revising the Incest Story: Toni Morrison's The Bluest Eye and James Baldwin's Just Above my Head Lynn Orilla Scott p. 83
Watchers Watching Watchers: Positioning Characters and Readers in Baldwin's "Sonny's Blues" and Morrison's "Recitatif" Trudier Harris p. 103
Playing a Mean Guitar: The Legacy of Staggerlee in Baldwin and Morrison D. Quentin Miller p. 121
Refiguring the Flesh: The Word, The Body, and the Rituals of Being in Beloved and Go Tell it on the Mountain Carol E. Henderson p. 149
Resistance against Racial, Sexual, and Social Oppression in Go Tell it on the Mountain and Beloved Babacar M'Baye p. 167
Secular Word, Sacred Flesh: Preachers in the Fiction of Baldwin and Morrison Keith Byerman p. 187
Unseen or Unspeakable? Racial Evidence in Baldwin's and Morrison's Nonfiction Richard Schur p. 205
The Art of Whiteness in the Nonfiction of James Baldwin and Toni Morrison Jonathan Mirin p. 223
The Evidence of Things Not Seen: The Alchemy of Race and Sexuality E. Frances White p. 239
Femininity, Abjection, and (Black) Masculinity in James Baldwin's Giovanni's Room and Toni Morrison's Beloved Keith Mitchell p. 261
Notes on Contributors p. 287
Index p. 291
Introduction: Baldwin and Morrison in Dialogue Lovalerie King p. 1
Baldwin's Bop 'n' Morrison's Mood: Bebop and Race in James Baldwin's Another Country and Toni Morrison's Jazz Keren Omry p. 11
Narrating the Beat of the Heart, Jazzing the Text of Desire: A Comparative Interface of James Baldwin's Another Country and Toni Morrison's Jazz Anna Kerchy p. 37
Revising Revision: Methodologies of Love, Desire, and Resistance in Beloved and If Beale Street could Talk Michelle H. Phillips p. 63
Revising the Incest Story: Toni Morrison's The Bluest Eye and James Baldwin's Just Above my Head Lynn Orilla Scott p. 83
Watchers Watching Watchers: Positioning Characters and Readers in Baldwin's "Sonny's Blues" and Morrison's "Recitatif" Trudier Harris p. 103
Playing a Mean Guitar: The Legacy of Staggerlee in Baldwin and Morrison D. Quentin Miller p. 121
Refiguring the Flesh: The Word, The Body, and the Rituals of Being in Beloved and Go Tell it on the Mountain Carol E. Henderson p. 149
Resistance against Racial, Sexual, and Social Oppression in Go Tell it on the Mountain and Beloved Babacar M'Baye p. 167
Secular Word, Sacred Flesh: Preachers in the Fiction of Baldwin and Morrison Keith Byerman p. 187
Unseen or Unspeakable? Racial Evidence in Baldwin's and Morrison's Nonfiction Richard Schur p. 205
The Art of Whiteness in the Nonfiction of James Baldwin and Toni Morrison Jonathan Mirin p. 223
The Evidence of Things Not Seen: The Alchemy of Race and Sexuality E. Frances White p. 239
Femininity, Abjection, and (Black) Masculinity in James Baldwin's Giovanni's Room and Toni Morrison's Beloved Keith Mitchell p. 261
Notes on Contributors p. 287
Index p. 291
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