简介
Ben Hickman argues that we must attend to Ashbery's radical conception of reading if we are to understand the originality of his writing. Hickman focuses on Ashbery's reading of English poets, including Andrew Marvell, John Donne, William Wordsworth, John Clare, T. S. Eliot and W. H. Auden, and examines Ashbery's writing in terms of an 'aesthetic of inattention'. Hickman critiques the Americanisation of Ashbery's work as well as common assumptions about his Romanticism, his avant-garde Modernism and his engagement with the historical present. He demonstrates that Ashbery's generosity as a writer is closely tied to his generosity, inattention and situatedness as a reader.
目录
Abbreviations; Acknowledgements; Introduction; 1. Lost words: Donne, Marvell and Ashberyan metaphor; 2. 'The music of all present': Ashberyan description and the presence of John Clare; 3. 'Always articulating these preludes': landscape, Wordsworth, 'A Wave' and after; 4. 'These decibels': Eliot, Ashbery, and allusion; 5. The first and most important influence: Ashbery and Auden; Bibliography; Index.
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