简介
While not full-fledged gothic novels, the works of Hegel, Keats, Byron, Coleridge, and the early Freud were, according to Brinks (English, Colorado State U.) "gothicized narratives where a male protagonist encounters an effeminizing supernatural force." These narratives posed problems for the very notion of the possession of male identity, she argues. This disruption of patriarchal culture's symbolic order helped establish a Romantic male subjectivity that refers to the inner feminine in order to describe divergences in its self. Distributed by Associated University Presses. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com)
目录
Acknowledgments p. 7
Introduction p. 11
Hegel Possessed: Reading the Gothic in The Phenomenology of Mind p. 24
The Male Romantic Poet as Gothic Subject: Keats's Hyperion and The Fall of Hyperion: A Dream p. 49
Sharing Gothic Secrets: Byron's The Giaour and Lara p. 68
"This Dream It Would Not Pass Away": Christabel and Mimetic Enchantment p. 91
The Gothic Romance of Sigmund Freud and Wilhelm Fliess p. 113
Notes p. 144
Selected Bibliography p. 198
Index p. 213
Introduction p. 11
Hegel Possessed: Reading the Gothic in The Phenomenology of Mind p. 24
The Male Romantic Poet as Gothic Subject: Keats's Hyperion and The Fall of Hyperion: A Dream p. 49
Sharing Gothic Secrets: Byron's The Giaour and Lara p. 68
"This Dream It Would Not Pass Away": Christabel and Mimetic Enchantment p. 91
The Gothic Romance of Sigmund Freud and Wilhelm Fliess p. 113
Notes p. 144
Selected Bibliography p. 198
Index p. 213
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