简介
In the first section of the book's two sections, Gates treats the problem of "signifyin(g)" from both the theoretical and the historical perspective. Offering a genealogy of black ways of speaking and (by consequence) black ways of writing, Gates defines a distinctive African-American formal literary practice. The elaborate improvisation practice forms the basis for Gates' theory of literature and literary criticism. In the second section, Gates documents this theory with an exploration of "the trape of the talking book," predominantly in the fiction of Zora Neal Hurston, Ismael Reed, and Alice Walker. ISBN 0-19-503463-5:
目录
Preface p. ix
Introduction p. xix
A Theory of the Tradition p. 1
A Myth of Origins: Esu-Elegbara and the Signifying Monkey p. 3
The Signifying Monkey and the Language of Signifyin(G): Rhetorical Difference and the Orders of Meaning p. 44
Figures of Signification p. 89
Reading the Tradition p. 125
The Trope of the Talking Book p. 127
Zora Neale Hurston and the Speakerly Text p. 170
On "The Blackness of Blackness": Ishmael Reed and a Critique of the Sign p. 217
Color Me Zora: Alice Walker's (Re), Writing of the Speakerly Text p. 239
Notes p. 259
Index p. 281
Introduction p. xix
A Theory of the Tradition p. 1
A Myth of Origins: Esu-Elegbara and the Signifying Monkey p. 3
The Signifying Monkey and the Language of Signifyin(G): Rhetorical Difference and the Orders of Meaning p. 44
Figures of Signification p. 89
Reading the Tradition p. 125
The Trope of the Talking Book p. 127
Zora Neale Hurston and the Speakerly Text p. 170
On "The Blackness of Blackness": Ishmael Reed and a Critique of the Sign p. 217
Color Me Zora: Alice Walker's (Re), Writing of the Speakerly Text p. 239
Notes p. 259
Index p. 281
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