简介
Summary:
Publisher Summary 1
Carol Myers-Scotton has edited a collection of essays that covers the choice of one style of English over another in everything from Bible translations to "surprise in poetry" to supervisor-worker interactions on the automobile assembly line. An important theme developed to varying degrees in these papers is the notion that speakers and writers, as rational actors, exploit the unmarked-marked opposition regarding audience expectations so as to convey messages of intentionality charged with social or psychological import.
目录
Contributors p. ix
I. Overview
1 Introduction Carol Myers-Scotton p. 3
2 A Theoretical Introduction to the Markedness Model Carol Myers-Scotton p. 18
II. Stylistic Choices In Literature
3 Implicatures of Styleswitching in the Narrative Voice of Cormac McCarthy's All the Pretty Horses Nancy Kreml p. 41
4 Marked Grammatical Structures: Communicating Intentionality in The Great Gatsby and As I Lay Dying Carol Myers-Scotton p. 62
5 Markedness and References to Characters in Biblical Hebrew Narratives Timothy Wilt p. 89
6 Literariness, Markedness, and Surprise in Poetry Amittai F. Aviram p. 101
7 Villainous Boys: On Some Marked Exchanges in Romeo and Juliet Trevor Howard-Hill p. 124
III. Stylistic Choices In Spoken English
8 Markedness and Styleswitching in Performances by African American Drag Queens Rusty Barrett p. 139
9 Styleswitching in Southern English Margaret Mishoe p. 162
10 Marked Versus Unmarked Choices on the Auto Factory Floor Janice Bernsten p. 178
IV. Stylistic Choices And Second-Language Acquisition
11 "Not Quite Right": Second-Language Acquisition and Markedness Mary Sue Sroda p. 195
Index p. 215
I. Overview
1 Introduction Carol Myers-Scotton p. 3
2 A Theoretical Introduction to the Markedness Model Carol Myers-Scotton p. 18
II. Stylistic Choices In Literature
3 Implicatures of Styleswitching in the Narrative Voice of Cormac McCarthy's All the Pretty Horses Nancy Kreml p. 41
4 Marked Grammatical Structures: Communicating Intentionality in The Great Gatsby and As I Lay Dying Carol Myers-Scotton p. 62
5 Markedness and References to Characters in Biblical Hebrew Narratives Timothy Wilt p. 89
6 Literariness, Markedness, and Surprise in Poetry Amittai F. Aviram p. 101
7 Villainous Boys: On Some Marked Exchanges in Romeo and Juliet Trevor Howard-Hill p. 124
III. Stylistic Choices In Spoken English
8 Markedness and Styleswitching in Performances by African American Drag Queens Rusty Barrett p. 139
9 Styleswitching in Southern English Margaret Mishoe p. 162
10 Marked Versus Unmarked Choices on the Auto Factory Floor Janice Bernsten p. 178
IV. Stylistic Choices And Second-Language Acquisition
11 "Not Quite Right": Second-Language Acquisition and Markedness Mary Sue Sroda p. 195
Index p. 215
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