简介
Olga Viso, Andrew Blauvelt, Katherine Solomonson, Holley Wlodarczyk, and John Archer are Minnesota authors. Angela Strassheim, Chris Faust and Laura E. Migliorino are Minnesota photographers.
The suburbs have always been a fertile space for imagining both the best and the worst of modern social life. Portrayed alternately as a middle-class domestic utopia and a dystopic world of homogeneity and conformity--with manicured suburban lawns and the inchoate darkness that lurks just beneath the surface--these stereotypes belie a more realistic understanding of contemporary suburbia and its dynamic transformations. Organized by the Walker Art Center in association with the Heinz Architectural Center at Carnegie Museum of Art, Worlds Away: New Suburban Landscapes is the first major museum exhibition to examine both the art and architecture of the contemporary American suburb. Featuring paintings, photographs, prints, architectural models, sculptures and video from more than 30 artists and architects, including Christopher Ballantyne, Center for Land Use Interpretation, Gregory Crewdson, Estudio Teddy Cruz, Dan Graham and Larry Sultan, Worlds Away demonstrates the catalytic role of the American suburb in the creation of new art and prospective architecture. Conceived as a revisionist and even contrarian take on the conventional wisdom surrounding suburban life, the catalogue features new essays and seminal writings by John Archer, Robert Beuka, Robert Breugmann, David Brooks, Beatriz Colomina, Malcolm Gladwell and others, as well as a lexicon of suburban neologisms. - Publisher.
目录
Contents
Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . 8
Preface: Worlds Away and the World Next Door Andrew Blauvelt . . . . . . . . .
. . . 10
Introduction Andrew Blauvelt, Tracy Myers, Katherine Solomonson . . . . . . . .
. . . . . . . . . . . . . . 17
Our Sprawling, Supersize Utopia David Brooks . . . . . . . . . . . . . . 26
Laura E. Migliorino . . . . . . . . . . . . . . . . . . . . . . . . 33 Dan
Graham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Floto +
Warner . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 FAT (Fashion
Architecture Taste) . . . . . . . . . . . . . . 43
Learning from Levittown
Denise Scott Brown, Beatriz Colomina, Robert Venturi . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . 49
In Praise of Chain Stores: They aren't destroying local flavor; they're
providing variety and comfort Virginia Postrel . . . . . . . . . . . . . . . .
. . . 70
Michael Vahrenwald . . . . . . . . . . . . . . . . . . . . . . . 73 John Lehr .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 SITE . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Gregory Crewdson
. . . . . . . . . . . . . . . . . . . . . . . . . . 86
The View through the Picture Window: Surveillance and Entrapment Motifs in
Suburban Film Robert Beuka . . . . . . . . . . . . . . . . 89
Intermediate Landscapes: Constructing Suburbia in Postwar American Photography
Holley Wlodarczyk . . . . . . . . . . . . 101
Sarah McKenzie . . . . . . . . . . . . . . . . . . . . . . . . 113 Chris Faust
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Estudio Teddy Cruz
. . . . . . . . . . . . . . . . . . . . . . 120 Larry Sultan . . . . . . . . .
. . . . . . . . . . . . . . . . . . . 126
Suburban Aesthetics Is Not an Oxymoron John Archer . . . . . . . . . . . . . .
. . . 129
New Urbanism's Subversive Marketing Ellen Dunham-Jones . . . . . . . . . . . .
. 147
LTL Architects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Chris Ballantyne . . . . . . . . . . . . . . . . . . . . . . . . . . 166 Greg
Stimac . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168 Coen +
Partners . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Campus, Estate, and Park: Lawn Culture Comes to the Corporation Louise A.
Mozingo . . . . . . . . . . . . . . . . . . . . . . . . . 177
Edward Ruscha . . . . . . . . . . . . . . . . . . . . . . . . . . . 193 Center
for Land Use Interpretation (CLUI) . . . . . . 198 Stefanie Nagorka . . . . . .
. . . . . . . . . . . . . . . . . . . . 202 Julia Christensen . . . . . . . . .
. . . . . . . . . . . . . . . . 206
A Conversation with Julia Christensen Andrew Blauvelt . . . . . . . . . . . . .
. . . . . . . . . . . . . 209
The Terrazzo Jungle: Fifty years ago, the mall was born. America would never
be the same. Malcolm Gladwell . . . . . . . . 216
Interboro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Paho Mann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Brian Ulrich . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Lateral Architecture . . . . . . . . . . . . . . . . . . . . . . . 235 Benjamin
Edwards . . . . . . . . . . . . . . . . . . . . . . . . 242 Jessica Smith . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . 246 Catherine Opie . . . .
. . . . . . . . . . . . . . . . . . . . . . 248 Andrew Bush . . . . . . . . . .
. . . . . . . . . . . . . . . . . 250 Mathew Moore . . . . . . . . . . . . . .
. . . . . . . . . . . . . 252
Learning from Sprawl Robert Bruegmann . . . . . . . . . . . . . . . . . . . . .
. . . 257
A Lexicon of Suburban Neologisms Rachel Hooper and Jayme Yen . . . . . . . . .
. . . . . . 270
INABA/C-Lab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289 Kim
Beck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293 Adam
Cvijanovic . . . . . . . . . . . . . . . . . . . . . . . . . . 296 Lee Stoetzel
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300 Angela
Strassheim . . . . . . . . . . . . . . . . . . . . . . . . . 302
Artist Bios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305
Checklist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Lender List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330
Reproduction Credits . . . . . . . . . . . . . . . . . . . . . 332
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