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简介

简介

　　　　this all-new edition of hawthorne's celebrated 1851 novel is based on the ohio state university press's [i]centenary edition of the works of nathaniel hawthorne[/i]. it is accompanied by thorough explanatory annotations and an insightful introduction to the novel and antebellum culture by robert s. levine. 　　　　"[b]contexts[/b]" brings together a generous selection of primary materials intended to provide readers with background on the novel's central themes. historical documents include accounts of salem's history by thomas maule, robert calef, joseph b. felt, and charles w. upham, which hawthorne drew on for [i]the house of the seven gables[/i]. the importance of the house in antebellum america—as a manifestation of the body, a site of genealogical history, and a symbol of the republic's middle class—is explored through the diverse writings of william andrus alcott, edgar allan poe, and j. h. agnew, among others. the impact of technological developments on the novel, especially of daguerreotypy, is considered through the writings of ralph waldo emerson, gustave de beaumont, and alexis de tocqueville, among others. also included are two of hawthorne's literary sketches—"alice doane's appeal" and "the old apple dealer"—that demonstrate the continuity of hawthorne's style, from his earlier periodical writing to his later career as a novelist. 　　　　"[b]criticism[/b]" provides a comprehensive overview of the critical commentary on the novel from its publication to the present. among the twenty-seven critics represented are herman melville, harriet beecher stowe, henry james, nina baym, eric sundquist, richard h. millington, alan trachtenberg, amy schrager lang, and christopher castiglia. 　　　　a chronology and selected bibliography are also included. 　　　　[b]about the series[/b]: no other series of classic texts equals the caliber of the [b]norton critical editions[/b]. each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. each edition is printed on acid-free paper and every text in the series remains in print. norton critical editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide. 　　

Table Of Contents:
Introduction ix
A Note on the Text and Annotations xvii
Acknowledgments xix
Preface 3(1)
The Text of The House of the Seven Gables 3(226)
Contexts

HISTORY 229(11)

Thomas Maule

From Truth Held Forth and Maintained 230(1)

Robert Calef

From More Wonders of the Invisible World 230(2)

Joseph B. Felt

From Annals of Salem 232(3)

Charles W. Upham

From Lectures on Witchcraft 235(2)

Nathaniel Hawthorne

From The American Notebooks 237(3)

HAWTHORNE AND THE LITERARY SKETCH 240(17)

Nathaniel Hawthorne

Alice Doane's Appeal 241(10)

Nathaniel Hawthorne

The Old Apple-Dealer 251(6)

HOUSES 257(36)

William Andrus Alcott

From The House I Live In 257(3)

Edgar Allan Poe

The Fall of the House of Usher 260(17)

Andrew Jackson Downing

[American Country Houses] 277(4)

Catharine E. Beecher

[American Housekeepers] 281(4)

Margaret Fuller

From The Great Lawsuit 285(4)

J.F. Agnew

From Woman's Offices and Influence 289(4)

DAGUERREOTYPY AND OTHER TECHNOLOGIES 293(24)

Nathaniel Parker Willis

From The Pencil of Nature: A New Discovery 294(2)

Anonymous

From Daguerreotypes 296(2)

Ralph Waldo Emerson

[Sea and Shore] 298(1)

T.S. Arthur

From The Daguerreotypist 298(5)

Frederick Douglass

[Our Photographic Process] 303(1)

Charles Poyen

[Animal Magnetism] 304(3)

Nathaniel Hawthorne

[Love Is the True Magnetism] 307(2)

Gustave de Beaumont and Alexis de Tocqueville

From On the Penitentiary System in the United States 309(3)

Nathaniel Hawthorne

[Railroads] 312(5)
Criticism

CONTEMPORARY RESPONSES 317(15)

Nathaniel Hawthorne

From Letter to Horatio Bridge, March 15, 1851 317(1)

Herman Melville

Letter to Hawthorne, [April 16,] 1851 318(2)

Catharine Maria Sedgwick

Letter to Mrs. K.S. Minot, May 4, 1851 320(1)

Anonymous

[Grand Historical Picture] 321(2)

Evert Augustus Duyckinck

[Cornelius Agrippa] 323(1)

Edwin Percy Whipple

[Hawthorne's Greatest Work] 324(3)

Henry T. Tuckerman

[Sketches of Still-Life] 327(3)

Anonymous

[Sombre Coloring] 330(1)

Harriet Beecher Stowe

[A Succession of Rembrandt Pictures] 331(1)

SELECTIONS FROM CLASSIC STUDIES 332(16)

Anthony Trollope

[A Ghastly Spirit of Drollery] 332(3)

Henry James

[The House of the Seven Gables] 335(4)

William Dean Howells

[Dim, Forlorn Wraiths] 339(1)

D.H. Lawrence

[Vacuum Cleaner] 340(1)

F.O. Matthiessen

[Energy of Disease] 341(1)

Hyatt H. Waggoner

[Curves, Circles, and Cycles] 342(1)

A.N. Kaul

[The Rising Democracy] 343(1)

Frederick C. Crews

[Imperfect Repression] 344(2)

Nina Baym

[Holgrave] 346(1)

Eric J. Sundquist

[Mirror with a Memory] 347(1)

RECENT CRITICISM, 1981-PRESENT 348(147)

Michael T. Gilmore

The Artist and the Marketplace in the House of the Seven Gables 348(16)

Walter Benn Michaels

Romance and Real Estate 364(21)

Gillian Brown

From Women's Work and Bodies in The House of the Seven Gables 385(22)

Richard H. Millington

[The Triple Beginning of The House of the Seven Gables] 407(11)

Alan Trachtenberg

Seeing and Believing: Hawthorne's Reflections on the Daguerreotype in The House of the Seven Gables 418(20)

David Anthony

Class, Culture, and the Trouble with White Skin in Hawthorne's The House of the Seven Gables 438(22)

Amy Schrager Lang

From Home, in the Better Sense: Model Woman, the Middle Class, and the Harmony of Interests 460(12)

Christopher Castiglia

The Marvelous Queer Interiors of The House of the Seven Gables 472(23)
Nathaniel Hawthorne: A Chronology 495(4)
Selected Bibliography 499

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