简介
Summary:
Publisher Summary 1
In addition to the plays usually cited in studies of metatheater--A Midsummer Night's Dream and Hamlet--Chu (English, Changhua U. of Education, Taiwan) considers others by Shakespeare, Marlowe, Kid, and their contemporaries in order to broaden the field of metatheatrical criticism. After reviewing the Renaissance view of dramatic art and surveying metatheatrical criticism, she covers in turn role playing, the playwright character, inset plays, and audience perception. Annotation 漏2008 Book News, Inc., Portland, OR (booknews.com)
Publisher Summary 2
This study explores the theatrical self-reflexivity in early moderndrama in terms of metatheatrical critical perspective adovcated by Lionel Able, James L. Calderwood, Richard Hornby, and Judd D. Hubert, to name just a few.
目录
Contents
Foreword
i
Acknowledgements
iii
Introduction
1
1. Early Modern Drama and Metatheater
7
PART I: Role-playing
2. "Forms to His Conceit": The Dynamics of Role-playing 33
3. Seeming or Being: Expressions of Feelings in Hamlet
47
4. "The Cackle of Skulls": Role-playing and Comic Metatheatricality
in The Revenger's Tragedy
69
PART II: Playwright-characters
5. Playwright-characters and the Power of Illusion
95
6. Doctor Faustus: The Legacy of the Devil
107
7. Jouissance of Play-writing in Othello
121
PART III: Inset-plays
8. "The Play's the Thing": Definition and Variations of Inset-plays
145
9. The "Shaping Fantasies" in The Taming of the Shrew, The Spanish
Tragedy and A Midsummer Night's Dream
153
10. "By Indirections Find Directions Out": Theater, Metatheater, Hamlet
175
PART IV: Audience Perception and Self-reflexivity
11. Audience Perception: Engagement and Detachment
197
12. The Mirror of Theater: Self-reflexivity and the Mirror Metaphor
215
Conclusion: The Return of the Theater's Gaze
225
Bibliography
231
Index
241
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