简介
Summary:
Publisher Summary 1
Combining critical analysis with personal history and poetry, Dancing Identitypresents a series of interconnected essays composed over a period of fifteen years. Taken as a whole, these meditative reflections on memory and on the ways we perceive and construct our lives represent Sondra Fraleigh's journey toward self-definition as informed by art, ritual, feminism, phenomenology, poetry, autobiography, and-always-dance.Fraleigh's brilliantly inventive fusions of philosophy and movement clarify often complex philosophical issues and apply them to dance history and aesthetics. She illustrates her discussions with photographs, dance descriptions, and stories from her own past in order to bridge dance with everyday movement. Seeking to recombine the fractured and bifurcated conceptions of the body and of the senses that dominate much Western discourse, she reveals how metaphysical concepts are embodied and presented in dance, both on stage and in therapeutic settings.Examining the role of movement in personal and political experiences, Fraleigh reflects on her major influences, including Moshe Feldenkrais, Kazuo Ohno, and Twyla Tharp. She draws on such varied sources as philosophers Simone de Beauvoir and Martin Heidegger, the German expressionist dancer Mary Wigman, Japanese Butoh founder Tatsumi Hijikata, Hitler, the Bomb, Miss America, Balanchine, and the goddess figure of ancient cultures. Dancing Identityoffers new insights into modern life and its reconfigurations in postmodern dance.
目录
Table Of Contents:
Preface xi
Introduction Beauty's Ways 1(1)
Writing Self 1(2)
Descending Pathways 3(3)
Unfinished Work 6(1)
On Special Metaphysics 7(1)
On Dualism 8(2)
Staging Metaphysics 10(5)
PART I BEGINNING
Embodying Metaphysics 15(17)
Mastering the Body 15(3)
Historical Backdrop 18(2)
Embodying Feminism 20(6)
Body as Spirit in Japan 26(6)
First Sounds 32(17)
Melodramatic Utterance 36(3)
Hysteria: Cooling the Witch 39(5)
Niwa: Goddess or Cyborg 44(5)
Thickening Ambiguity 49(38)
Dancing Beings 53(1)
Bringing Body to Mind 54(6)
Wholes and Holiness 60(1)
I Will Walk 61(2)
Our First Horizon 63(1)
Somatics and Wholeness 64(5)
Coherent Speech 69(2)
Moving Off-Center 71(16)
PART II BECOMING
Anti-Essentialist Trio 87(32)
Setting the Stage 87(5)
Trio 92(5)
Metaphysics of Sex 97(4)
Critique of the Trio 101(4)
Reassembling the Trio 105(2)
Shakable Ballet 107(6)
Gender-Bending Solutions 113(4)
Phusis: Performing Nature 117(2)
A Dance of Time Beings 119(17)
Ecstasis: Mastery or Matching 122(5)
Touch and Kinesthesia 127(1)
Soma 128(2)
Matching Space 130(2)
We Limp a Little 132(4)
Letting the Difference Happen 136(17)
Inmost Sway 136(6)
The Dance of Equals 142(2)
Lack of Art 144(1)
Marking Time 145(2)
Molecules of Motion 147(6)
PART III DESCEN-DANCE
Messy Beauty and Butoh Invalids 153(41)
Descen-dance, Obedience, and Resistance 153(7)
Organic Faults, Somatic Solutions 160(7)
Somatic Kinesiology 167(3)
Nuclear Fallout and Butoh Invalids 170(13)
Descendant Beauty 183(7)
The Girl Who Lives with Cockroaches 190(4)
Existential Haircut 194(49)
Agency, Sexuality, and Natural Powers 197(8)
Performing Freedom: Synergetic Humanism 205(11)
Shadows and Broken Symmetries 216(8)
Yin-Yang Reciprocity 224(4)
Shared Pleasures 228(6)
Dances to Do 234(9)
The Morality of Joy 243(14)
In the Beginning Is My Body 243(5)
Falling Bravely 248(3)
Ancestors, Wait! 251(4)
Epilogue The Fugitive in Her 255(2)
Notes 257(20)
Index 277
Preface xi
Introduction Beauty's Ways 1(1)
Writing Self 1(2)
Descending Pathways 3(3)
Unfinished Work 6(1)
On Special Metaphysics 7(1)
On Dualism 8(2)
Staging Metaphysics 10(5)
PART I BEGINNING
Embodying Metaphysics 15(17)
Mastering the Body 15(3)
Historical Backdrop 18(2)
Embodying Feminism 20(6)
Body as Spirit in Japan 26(6)
First Sounds 32(17)
Melodramatic Utterance 36(3)
Hysteria: Cooling the Witch 39(5)
Niwa: Goddess or Cyborg 44(5)
Thickening Ambiguity 49(38)
Dancing Beings 53(1)
Bringing Body to Mind 54(6)
Wholes and Holiness 60(1)
I Will Walk 61(2)
Our First Horizon 63(1)
Somatics and Wholeness 64(5)
Coherent Speech 69(2)
Moving Off-Center 71(16)
PART II BECOMING
Anti-Essentialist Trio 87(32)
Setting the Stage 87(5)
Trio 92(5)
Metaphysics of Sex 97(4)
Critique of the Trio 101(4)
Reassembling the Trio 105(2)
Shakable Ballet 107(6)
Gender-Bending Solutions 113(4)
Phusis: Performing Nature 117(2)
A Dance of Time Beings 119(17)
Ecstasis: Mastery or Matching 122(5)
Touch and Kinesthesia 127(1)
Soma 128(2)
Matching Space 130(2)
We Limp a Little 132(4)
Letting the Difference Happen 136(17)
Inmost Sway 136(6)
The Dance of Equals 142(2)
Lack of Art 144(1)
Marking Time 145(2)
Molecules of Motion 147(6)
PART III DESCEN-DANCE
Messy Beauty and Butoh Invalids 153(41)
Descen-dance, Obedience, and Resistance 153(7)
Organic Faults, Somatic Solutions 160(7)
Somatic Kinesiology 167(3)
Nuclear Fallout and Butoh Invalids 170(13)
Descendant Beauty 183(7)
The Girl Who Lives with Cockroaches 190(4)
Existential Haircut 194(49)
Agency, Sexuality, and Natural Powers 197(8)
Performing Freedom: Synergetic Humanism 205(11)
Shadows and Broken Symmetries 216(8)
Yin-Yang Reciprocity 224(4)
Shared Pleasures 228(6)
Dances to Do 234(9)
The Morality of Joy 243(14)
In the Beginning Is My Body 243(5)
Falling Bravely 248(3)
Ancestors, Wait! 251(4)
Epilogue The Fugitive in Her 255(2)
Notes 257(20)
Index 277
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