简介
In a ground-breaking study of Zora Neale Hurston, Deborah Plant takes issue with current notions of Hurston as a feminist and earlier impressions of her as an intellectual lightweight who disregarded serious issues of race in American culture. Instead, Plant calls Hurston a "writer of resistance" who challenged the politics of domination both in her life and in her work. One of the great geniuses of the Harlem Renaissance, Hurston stands out as a strong voice for African American women. Her anthropological inquiries as well as her evocative prose provide today鈥檚 readers with a rich history of African American folk culture - a folk culture through which Hurston expressed her personal and political strategy of resistance and self-empowerment. Through readings of Hurston鈥檚 fiction and autobiographical writings, Plant offers one of the first book-length discussions of Hurston鈥檚 personal philosophy of individualism and self-reliance. From a discussion of Hurston鈥檚 preacher father and influential mother, whose guiding philosophy is reflected in the title of this book, to the influence of Spinoza and Nietzsche, Plant puts into perspective the driving forces behind Hurston鈥檚 powerful prose.
目录
Acknowledgments
Introduction: The Reclamation of an Intellectual Life p. 1
Metaphors of Self, Language, and the Will-to-Power p. 9
"Every Tub Must Sit on Its Own Bottom": A Philosophical Worldview p. 33
African American Folklore as Style, Theme, and Strategy p. 61
The Folk Preacher and the Folk Sermon Form p. 93
Politics, Parody, Power, and Moses, Man of the Mountain p. 116
Politics of Self: Ambivalences, Paradoxes, and Ironies of Race, Color, Sex, Class, and Gender p. 143
Conclusion: The Essence of Owning Oneself p. 175
Notes p. 183
Works Cited p. 201
Index p. 211
Introduction: The Reclamation of an Intellectual Life p. 1
Metaphors of Self, Language, and the Will-to-Power p. 9
"Every Tub Must Sit on Its Own Bottom": A Philosophical Worldview p. 33
African American Folklore as Style, Theme, and Strategy p. 61
The Folk Preacher and the Folk Sermon Form p. 93
Politics, Parody, Power, and Moses, Man of the Mountain p. 116
Politics of Self: Ambivalences, Paradoxes, and Ironies of Race, Color, Sex, Class, and Gender p. 143
Conclusion: The Essence of Owning Oneself p. 175
Notes p. 183
Works Cited p. 201
Index p. 211
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