简介
Summary:
Publisher Summary 1
This collection combines critical appraisals of Caribbean women fiction-writers--Jean Rhys, Paule Marshall, Erna Brodber, Olive Senior, Pauline Melville, Jamaica Kincaid, Zee Edgell, and Dionne Brand--with "why I write" essays from four other writers--Beryl Gilroy, Merle Collins, Vernella Fuller, and Velma Pollard. A sampling of topics: literary allusion in the fiction of Jean Rhys, geopolitical and cultural positioning in Paule Marshall's novels, and Jamaica Kincaid's writing and the maternal-colonial matrix. Annotation c. by Book News, Inc., Portland, Or.
Publisher Summary 2
This diverse and challenging collection of critical appraisals of Caribbean women fiction writers meets the urgent need for detailed critical analysis in this rapidly expanding field of interest. It includes an extensive bibliography both of relevant criticism and of Caribbean women writers and their fiction list by area.
Publisher Summary 3
This diverse and challenging collection of critical appraisals of Caribbean women fiction writers meets the urgent need for detailed critical analysis in this rapidly expanding field of interest.
Publisher Summary 4
This diverse and challenging collection of critical appraisals of Caribbean women fiction writers meets the urgent need for detailed critical analysis in this rapidly expanding field of interest. It includes an extensive bibliography both of relevant criticism and of Caribbean women writers and their fiction list by area.
Publisher Summary 5
This diverse and challenging collection of critical appraisals of Caribbean women fiction writers meets the urgent need for detailed critical analysis in this rapidly expanding field of interest.
目录
Acknowledgements p. ix
Notes on the Contributors p. x
Introduction Mary Conde p. 1
Part I Literary Autobiography
1 Reflections Beryl Gilroy p. 11
2 The Most Important Reason I Write Velma Pollard p. 17
3 Writing Fiction, Writing Reality Merle Collins p. 23
4 The Development of My Art as a Fiction Writer Vernella Fuller p. 32
Part II Theoretical and Critical Responses
5 Literary Allusion in the Fiction of Jean Rhys Thorunn Lonsdale p. 43
6 Perceptions of Place: Geopolitical and Cultural Positioning in Paule Marshall's Novels Heidi Slettedahl Macpherson p. 75
7 The Body of the Woman in the Body of the Text: the Novels of Erna Brodber Denise deCaires Narain p. 97
8 The Short Fiction of Olive Senior Alison Donnell p. 117
9 Pauline Melville's Shape-Shifting Fictions Sarah Lawson Welsh p. 144
10 Jamaica Kincaid's Writing and the Maternal-Colonial Matrix Laura Niesen de Abruna p. 172
11 The Fiction of Zee Edgell Adele S. Newson p. 184
12 Dionne Brand: Writing the Margins Charlotte Sturgess p. 202
Part III A Guide to Fiction by Caribbean Women Writers
A to Z of Authors and Works by Country of Origin p. 219
Further Reading p. 224
Index p. 228
Notes on the Contributors p. x
Introduction Mary Conde p. 1
Part I Literary Autobiography
1 Reflections Beryl Gilroy p. 11
2 The Most Important Reason I Write Velma Pollard p. 17
3 Writing Fiction, Writing Reality Merle Collins p. 23
4 The Development of My Art as a Fiction Writer Vernella Fuller p. 32
Part II Theoretical and Critical Responses
5 Literary Allusion in the Fiction of Jean Rhys Thorunn Lonsdale p. 43
6 Perceptions of Place: Geopolitical and Cultural Positioning in Paule Marshall's Novels Heidi Slettedahl Macpherson p. 75
7 The Body of the Woman in the Body of the Text: the Novels of Erna Brodber Denise deCaires Narain p. 97
8 The Short Fiction of Olive Senior Alison Donnell p. 117
9 Pauline Melville's Shape-Shifting Fictions Sarah Lawson Welsh p. 144
10 Jamaica Kincaid's Writing and the Maternal-Colonial Matrix Laura Niesen de Abruna p. 172
11 The Fiction of Zee Edgell Adele S. Newson p. 184
12 Dionne Brand: Writing the Margins Charlotte Sturgess p. 202
Part III A Guide to Fiction by Caribbean Women Writers
A to Z of Authors and Works by Country of Origin p. 219
Further Reading p. 224
Index p. 228
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