简介
Using biographic, historical, and textual analyses to elaborate an alternative, feminist cinematic tradition, this groundbreaking study presents an exploration of the impact of three French women filmmakers: Germaine Dulac, Marie Epstein, and Agnes Varda.
目录
Preface to the Morningside Edition
Acknowledgments
Introduction p. 1
Germaine Dulac: First Feminist of the Avant-Garde p. 47
Dulac in Context: French Film Production in the Twenties p. 78
From Fantasy to Structure of the Fantasm: The Smiling Mme Beudet and The Seashell and the Clergyman p. 98
Marie Epstein: A Woman in the Shadows p. 141
Epstein in Context: French Film Production in the Thirties p. 169
Nursery/Rhymes: Primal Scenes in La Maternelle p. 188
Agnes Varda and the Woman Seen p. 215
Varda in Context: French Film Production in the Early Sixties - the New Wave p. 248
From Deesse to Idee: Cleo From 5 to 7 p. 268
The "Impossible Portrait" of Femininity: Vagabond p. 285
Conclusion p. 316
Epilogue / Avatars of a Female Voice in the Cinema p. 321
Bibliography p. 359
Index p. 371
Acknowledgments
Introduction p. 1
Germaine Dulac: First Feminist of the Avant-Garde p. 47
Dulac in Context: French Film Production in the Twenties p. 78
From Fantasy to Structure of the Fantasm: The Smiling Mme Beudet and The Seashell and the Clergyman p. 98
Marie Epstein: A Woman in the Shadows p. 141
Epstein in Context: French Film Production in the Thirties p. 169
Nursery/Rhymes: Primal Scenes in La Maternelle p. 188
Agnes Varda and the Woman Seen p. 215
Varda in Context: French Film Production in the Early Sixties - the New Wave p. 248
From Deesse to Idee: Cleo From 5 to 7 p. 268
The "Impossible Portrait" of Femininity: Vagabond p. 285
Conclusion p. 316
Epilogue / Avatars of a Female Voice in the Cinema p. 321
Bibliography p. 359
Index p. 371
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