简介
An examination of the Neue Sachlichkeit. Crockett argues that post-expressionism developed not during the relative economic and political stabilization of the middle years of the Weimar Republic, but during the political, social, and economic chaos of the first years of the republic. The first part of the book looks at the state of art and the economy in Germany from 1918 to 1924. The second section focuses on the unique post-expressionist development in cities throughout Germany. The final section deals with art criticism from 1923 to 1925. Appendix A: artists included in Hartlaub’s Neue Sachlichkeit exhibitions of 1925-1926; appendix B: Franz Roh’s expressionist/post-expressionist polarity schema, 1925.
目录
List of Illustrations p. ix
Preface p. xvii
A Note on the Text p. xix
Introduction p. 1
The State of Art in Germany, 1918-1924 p. 7
Post-Expressionism in Germany, 1918-1924: The Artists p. 35
Post-Expressionism in Germany, 1923-1925: The Critics p. 145
Artists Included in Hartlaub's Neue Sachlichkeit Exhibitions of 1925-1926 p. 159
Franz Roh's Expressionist/Post-Expressionist Polarity Schema, 1925 p. 161
Notes p. 163
Bibliography p. 197
Index p. 211
Preface p. xvii
A Note on the Text p. xix
Introduction p. 1
The State of Art in Germany, 1918-1924 p. 7
Post-Expressionism in Germany, 1918-1924: The Artists p. 35
Post-Expressionism in Germany, 1923-1925: The Critics p. 145
Artists Included in Hartlaub's Neue Sachlichkeit Exhibitions of 1925-1926 p. 159
Franz Roh's Expressionist/Post-Expressionist Polarity Schema, 1925 p. 161
Notes p. 163
Bibliography p. 197
Index p. 211
- 名称
- 类型
- 大小
光盘服务联系方式: 020-38250260 客服QQ：4006604884
云图客服：
用户发送的提问，这种方式就需要有位在线客服来回答用户的问题，这种 就属于对话式的,问题是这种提问是否需要用户登录才能提问
Video Player
×
Audio Player
×
pdf Player
×
