简介
Summary:
Publisher Summary 1
World War II marked the beginning of the end of literary modernism in Britain. However, this late period of modernism and its response to the War have not yet received the scholarly attention they deserve. In the first full-length study of modernism and World War II, Marina MacKay offers historical readings of Virginia Woolf, Rebecca West, T.S. Eliot, Henry Green and Evelyn Waugh, set against the dramatic background of national struggle and transformation. In recovering how these major authors engaged with other texts of their time 没political discourses, mass and middlebrow culture 没 this study reveals how World War II brought to the surface the underlying politics of modernism's aesthetic practices. Through close analyses of the revisions made to modernist thinking after 1939, MacKay establishes the significance of this persistently neglected phase of modern literature as a watershed moment in twentieth-century literary history.
目录
Table Of Contents:
Acknowledgements vi
Introduction: Modernism beyond the Blitz 1(21)
1 Virginia Woolf and the pastoral patria 22(22)
2 Rebecca West's anti-Bloomsbury group 44(27)
3 The situational politics of Four Quartets 71(20)
4 The neutrality of Henry Green 91(27)
5 Evelyn Waugh and the ends of minority culture 118(24)
Coda: National historiography after the post-war settlement 142(15)
Notes 157(22)
Bibliography 179(10)
Index 189
Acknowledgements vi
Introduction: Modernism beyond the Blitz 1(21)
1 Virginia Woolf and the pastoral patria 22(22)
2 Rebecca West's anti-Bloomsbury group 44(27)
3 The situational politics of Four Quartets 71(20)
4 The neutrality of Henry Green 91(27)
5 Evelyn Waugh and the ends of minority culture 118(24)
Coda: National historiography after the post-war settlement 142(15)
Notes 157(22)
Bibliography 179(10)
Index 189
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