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By showing that Joseph Heller was heavily influenced by the New Criticism and myth criticism that he studied in graduate school, this study discloses that Catch-22 is a faithful retelling of the ancient epic of Gilgamesh, much as Joyce's Ulysses recapitulates Homer's Odyssey . Demonstrates that elements previous critics have understood to be characteristics of the absurdist and Black Humor influence are derived from Heller's faithfullness to the Babylonian text itself. Themes of race, homosexuality, individuation, sado-masochism, and modernity are dealt with. Lacks a subject index. Woodson teaches English at Howard University. Annotation c. Book News, Inc., Portland, OR (booknews.com)
目录
Acknowledgments p. ix
List of Abbreviations p. xi
Introduction p. 1
Catch-22 and High Modernism p. 7
Catch-22 and The Gilgamesh Epic p. 39
Love and Death in Catch-22 p. 65
Heller's Religious Vision p. 103
Jewish Mysticism in Catch-22 p. 133
Conclusion p. 153
Bibliography p. 159
List of Abbreviations p. xi
Introduction p. 1
Catch-22 and High Modernism p. 7
Catch-22 and The Gilgamesh Epic p. 39
Love and Death in Catch-22 p. 65
Heller's Religious Vision p. 103
Jewish Mysticism in Catch-22 p. 133
Conclusion p. 153
Bibliography p. 159
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