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ISBN:9780631203988

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简介

Includes works by: Lydia Huntley Sigourney; Maria Gowen Brooks; Elizabeth Oakes Smith; Frances Anne Butler Kemble; Sarah Margaret Fuller; Frances Sargent Locke Osgood; Sarah Louisa Forten; Julia Ward Howe; Alice Cary; Phoebe Cary; Lucy Larcom; Adeline D.T. Whitney; Frances Ellen Watkins Harper; Rose Terry Cooke; Rosa Vertner Johnson Jeffrey; Helen Hunt Jackson; Emily Dickinson; Adah Isaacs Menken; Celia Thaxter; Harriet Prescott Spofford; Louise Chandler Moulton; Sarah Mrogan Bryan Platt; Christine Rutledge/The Carolina Singers; Elixabeth Stuart Phelps; Emma Lazarus; Henrietta Cordelia Ray; Edith M. Thomas; Lizette Woodworth Reese; Charlotte Perkins Gilman; Louise Imogen Guiney; E. Pauline Johnson (Tekahionwake); Sophie Jewett; Edith Wharton; Elaine Goodale Eastman; Dora Read Goodale; Frances Densmore; Mary Hunter Austin; and Alice Ruth Moore Dunbar-Nelson. Paula Bernats anthology, based on pioneering archival research, establishes nineteenth-century American womens poetry as a major field in American literature and American womens history. Selections from one hundred and forty writers provide a rich yet balanced interweaving of established and marginalized womens poetry form every geographical region of the United States, with many poems taken from over a hundred national, regional, and special interest newspapers and periodicals, including such fugitive sources as the Colored American, The Chreokee Phoenix, the Cincinnati Israelite, the Irish Nationalist, the Shaker and Shakeress, and the New Century for Women. Arguing for a new, more comprehensive concept of canonization, Bennett none the less submits all selections to the test of the poem itself. At the same time, she gives special attention to poetry devoted to women's issues - the evolution of feminist consciousness, the expression of women's subjectivities, and the emergence of the new woman. Previously neglected avant-garde poetry from the last decades of the century, as found in penny magazines of the period, is also thoroughly covered with compelling consequences for the understanding of Emily Dickinson and the early women modernists, Amy Lowell and H.D. A key test for the classroom, Nineteenth-Century American Women Poets: an Anthology offers an inviting wealth of classic and newly discovered poetry for scholars and general readers alike. - Back cover.

目录

Alphabetical List of Authors in Section II
Acknowledgements
Introduction
Principle Poets
Lydia Huntley Sigourney (1791-1865)
Poems (1827):The Alpine Flowers, The Suttee, Death of an Infant
Cherokee Phoenix (1831): The Cherokee Mother
Poems (1834): Flora's Party, Indian Names
Family Magazine (1834): The Western Emigrant
Zinzendorff, and Other Poems (1836): The Indian's Welcome to the Pilgrim Fathers
Select Poems (1842): The Volunteer
Christian Parlor Magazine (1844): A Scene at Sea
Mother's Assistant and Young Lady's Friend (1849): Morning
The Western Home, and Other Poems (1854): Fallen Forests (Scenes in My Native Land 1845), Bell of the Wreck
Maria Gowen Brooks (1794?-1845)
Zoacute;phieuml;, or the Bride of Seven (1833)
Canto First: "Grove of Acacias," Sections L-XCVII
Elizabeth Oakes Smith (1806)
Southern Literary Messenger (1842)
The Sinless Child: A Poem in Seven Parts: Part VI, Part VII
The Poetical Writings of Elizabeth Oakes Smith (1845): The Drowned Mariner
Frances Anne Butler Kemble (1809-1893)
Poems (1844): Sonnet: "There's not a fibre in my trembling frame"
Poems (1859): Lines: On Reading with Difficulty Some of Schiller's Early Love Poems, Noonday: By the Seaside, Sonnet: "What is my lady like? thou fain would'st know -", A Noonday Vision
Sarah Margaret Fuller (1810-1850)
Manuscript Poem (1836; Steele, 1992): To A. H. B
Manuscript Poem (1835; Steele, 1992): To the same {{A. H. B.}}: A Feverish Vision
From Summer on the Lakes, in 1843 (1844): "Summer days of busy leisure", To Friend, Governor Everett Receiving the Indian Chiefs
Manuscript Poem (1844; Steele, 1992): Double Triangle, Serpent and Rays
Griswold (1849): Mozart
Frances Sargent Locke Osgood (1811-1850)
Three Manuscript Poems (c. 1845? Dobson, 1993): "won't you die and be a spirit", The Wrath of the Rose, The Lady's Mistake
Poems (1846): The Lily's Delusion, The Daisy's Mistake, A Flight of Fancy, To Sybil, A Mother's Prayer in Illness
North America Daily (1848): Fanny Fay's Baby Jumper
Poems (1850): Women: A Fragment
Sarah Louisa Forten ("ADA") (1814-1883)
Liberator (1831): The Grave of the Slave, Past Joys, Prayer, The Slave
Liberator (1834): My Country, An Appeal to Women
Manuscript Poem (1837): "Look! 'Tis a woman's streaming eye"
Julia Ward Howe (1819-1910)
Griswold (1849): Woman
Passion Flowers (1854): My Last Dance
Atlantic Monthly (1862): Battle-Hymn of the Republic (MS 1861)
Later Lyrics (1866): The Soul-Hunter, Night Musings, Rouge Gagne, Remembrance
Alice Cary (1820-1871)
Griswold (1849): Pictures of Memory
Beadle's Monthly (1866): Summer and Winter
The Poetical Works of Alice and Phoebe Cary (1877): The Seal Fisher's Wife, A Fragment, Maid and Man
Phoebe Cary (1824-1871)
Griswold (1849): The Christian Women
Poems and Parodies (1854): Samuel Brown, "The Day is Done", The City Life, Jacob, The Wife, Shakespearian Readings
National Anti-Slavery Standard (1861): Dead Love
Beadle's Monthly (1866): The Hunter and the Doe
Galaxy (1866): In Absence
Harper's Bazar (1896): Dorothy's Dower: In Three Parts
Woodhull & Claflin's Weekly (1873): Was He Henpecked?
The Poetical Works of Alice and Phoebe Cary (1877): The Rose, Disenchanted, Hidden Sorrow
Lucy Larcom (1824-1893)
The Crayon (1857): Hannah Binding Shoes: A Rhyme of the Bay State
Poems (1869): Weaving
Atlantic Monthly (1870): Black Mountain in Bearcamp Lake
Good Company (1879): The Water Lily
Wild Roses of Cape Ann (1881): Wild Roses of Cape Ann, In Vision
Atlantic Monthly

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