简介
Summary:
Publisher Summary 1
Each book in the series provides a complex critical portrait of one of the most influential writers in the world, enhanced with an introduction by Harold Bloom, a useful chronology, and a concise bibliography.
Publisher Summary 2
Presents a collection of contemporary criticism and analysis of the works of the English author.
Publisher Summary 3
Almost 200 years after her death, Jane Austen has become an industry unto herself. Generations of readers have embraced her seminal work Pride and Prejudice, moving on to discover her other much-loved novels, including Emma, Sense and Sensibility, and Mansfield Park. Noted for her wit and cunning satirical edge, Austen used her subtle gifts to produce works that delicately balanced the pursuit of romance and self-realization with piercing social insight. This updated edition provides a well-rounded critical portrait of this increasingly popular author and is supplemented by a chronology, notes on the contributor, a bibliography, and an introductory essay by Professor Harold Bloom.
目录
Table Of Contents:
Editor's Note vii
Introduction 1(20)
Harold Bloom
Ideological Contradictions and the Consolations of Form: The Case of Jane Austen 21(38)
Mary Poovey
``A Model of Female Excellence'': Anne Elliot, Persuasion, and the Vindication of a Richardsonian Ideal of the Female Character 59(18)
E.B. Moon
Why Women Didn't Like Romanticism: The Views of Jane Austen and Mary Shelley 77(12)
Anne K. Mellor
Gendering Rooms: Domestic Architecture and Literary Acts 89(24)
Cynthia Wall
Community and Cognition in Pride and Prejudice 113(32)
William Deresiewicz
Mansfield Park: Dismantling Pemberley 145(28)
Jo Alyson Parker
Colloquy 173(16)
Ivor Morris
Emma 189(16)
Paula Byrne
``Pictures of perfection as you know make me sick & wicked'': Persuasion 205(14)
Gloria Sybil Gross
Sense and Sensibility and Mansfield Park: ``At Once Both Tragedy and Comedy'' 219(32)
Patricia Menon
An Excellent Heart: Sense and Sensibility 251(28)
Emily Auerbach
Learning the Art of Charity in Emma 279(18)
Sarah Emsley
Chronology 297(2)
Contributors 299(2)
Bibliography 301(4)
Acknowledgements 305(2)
Index 307
Editor's Note vii
Introduction 1(20)
Harold Bloom
Ideological Contradictions and the Consolations of Form: The Case of Jane Austen 21(38)
Mary Poovey
``A Model of Female Excellence'': Anne Elliot, Persuasion, and the Vindication of a Richardsonian Ideal of the Female Character 59(18)
E.B. Moon
Why Women Didn't Like Romanticism: The Views of Jane Austen and Mary Shelley 77(12)
Anne K. Mellor
Gendering Rooms: Domestic Architecture and Literary Acts 89(24)
Cynthia Wall
Community and Cognition in Pride and Prejudice 113(32)
William Deresiewicz
Mansfield Park: Dismantling Pemberley 145(28)
Jo Alyson Parker
Colloquy 173(16)
Ivor Morris
Emma 189(16)
Paula Byrne
``Pictures of perfection as you know make me sick & wicked'': Persuasion 205(14)
Gloria Sybil Gross
Sense and Sensibility and Mansfield Park: ``At Once Both Tragedy and Comedy'' 219(32)
Patricia Menon
An Excellent Heart: Sense and Sensibility 251(28)
Emily Auerbach
Learning the Art of Charity in Emma 279(18)
Sarah Emsley
Chronology 297(2)
Contributors 299(2)
Bibliography 301(4)
Acknowledgements 305(2)
Index 307
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