简介
Mozart's unfinished Requiem has long been shrouded in mystery. Mozart undertook the commission for an Austrian nobleman, little knowing that he was to write a requiem for himself. Inevitably, the secrecy surrounding the anonymous commission, the circumstances of Mozart's death, the unfinished state of the work, and its completion under the direction of Mozart's widow, Constanze, have precipitated two centuries of romantic speculation and scholarly controversy.
Christoph Wolff provides a critical introduction to the Requiem in its many facets. Part I of his study focuses on the tangled genesis and completion of the work and its fascinating early reception history until Constanze's death. Wolff summarizes the current state of research on the subject, provides new perspectives on Mozart's conception of the whole work, and surveys his contributions to the movements composed posthumously by his assistant, Süssmayr. Part II provides a musical analysis of Mozart's composition, including contextual, structural, and interpretive aspects. Part III consists of an annotated collection of the principal literary documents (1791-1839) that illuminate the fascinating early history of the Requiem.
The book concludes with a complete edition of the work that is at the center of Wolff's study, the authentic score of the Requiem--Mozart's fragment--supplemented by crucial excerpts from Süssmayr's 1792 Requiem completion.
目录
Preface
Historical Perspectives: The Composition, Completion, and Early Reception of Mozart's Requiem p. 1
Fiction, Facts, and Open Questions p. 1
The Requiem Controversy (1825-39) p. 7
The First Edition and Sussmayr's Testimony p. 14
The Original Requiem Score p. 17
Mozart's Composition p. 28
Sussmayr's Completion p. 38
Original and Imitation: Horn Rondo and Requiem p. 44
Epilogue p. 51
Musical Aspects: The Concept, Structure, and Character of Mozart's Requiem p. 64
Background, Text, Formal Layout p. 64
The Musical Context p. 71
Individual Aspects p. 85
Contemporary Documents: Genesis and Early Reception of Mozart's Requiem p. 113
Preliminaries p. 113
Chronology p. 114
Documents p. 119
Score of Mozart's Requiem Fragment p. 175
Introduction p. 175
Requiem p. 178
Kyrie p. 185
Dies irae p. 189
Tuba mirum p. 196
Rex tremendae p. 200
Recordare p. 203
Confutatis p. 213
Lacrymosa (Beginning) p. 218
(Continuation from Sussmayr's score) p. 219
Domine Jesu p. 222
Hostias p. 231
Sanctus p. 234
Benedictus p. 237
Agnus Dei p. 242
Bibliography p. 247
Abbreviations p. 247
Editions of Mozart's Requiem p. 248
Writings on Mozart's Requiem p. 249
Other Works Cited p. 254
Index of Mozart's Works p. 257
Index of Names p. 259
Historical Perspectives: The Composition, Completion, and Early Reception of Mozart's Requiem p. 1
Fiction, Facts, and Open Questions p. 1
The Requiem Controversy (1825-39) p. 7
The First Edition and Sussmayr's Testimony p. 14
The Original Requiem Score p. 17
Mozart's Composition p. 28
Sussmayr's Completion p. 38
Original and Imitation: Horn Rondo and Requiem p. 44
Epilogue p. 51
Musical Aspects: The Concept, Structure, and Character of Mozart's Requiem p. 64
Background, Text, Formal Layout p. 64
The Musical Context p. 71
Individual Aspects p. 85
Contemporary Documents: Genesis and Early Reception of Mozart's Requiem p. 113
Preliminaries p. 113
Chronology p. 114
Documents p. 119
Score of Mozart's Requiem Fragment p. 175
Introduction p. 175
Requiem p. 178
Kyrie p. 185
Dies irae p. 189
Tuba mirum p. 196
Rex tremendae p. 200
Recordare p. 203
Confutatis p. 213
Lacrymosa (Beginning) p. 218
(Continuation from Sussmayr's score) p. 219
Domine Jesu p. 222
Hostias p. 231
Sanctus p. 234
Benedictus p. 237
Agnus Dei p. 242
Bibliography p. 247
Abbreviations p. 247
Editions of Mozart's Requiem p. 248
Writings on Mozart's Requiem p. 249
Other Works Cited p. 254
Index of Mozart's Works p. 257
Index of Names p. 259
- 名称
- 类型
- 大小
光盘服务联系方式: 020-38250260 客服QQ：4006604884
云图客服：
用户发送的提问，这种方式就需要有位在线客服来回答用户的问题，这种 就属于对话式的,问题是这种提问是否需要用户登录才能提问
Video Player
×
Audio Player
×
pdf Player
×
