简介
Summary:
Publisher Summary 1
Edgar Allan Poe is frequently portrayed as an isolated idiosyncratic genius unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards interprets and re-evaluates the work of three important and largely forgotten women poets in the context of nineteenth-century lyric practices: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith.
Publisher Summary 2
Richards revises the prevailing portrayal of Poe as an isolated idiosyncratic genius, showing how he worked with contemporary female poets.
目录
Illustrations
Acknowledgments
Note on texts used
List of abbreviations
Introduction
芒脟聽The poetess芒脟脰 the Poe芒脟脰s performance of the feminine
Frances Sargent Osgood, Salon poetry, and the erotic voice print
Sarah Helen Whitman, spiritualist poetics, and the 芒脟聽Phantom Voice芒脟脰 of Poe
Elizabeth Oakes Smith芒脟脰s 芒脟聽Unspeakable Eloquence芒脟脰; Coda: the raven芒脟脰s return
Acknowledgments
Note on texts used
List of abbreviations
Introduction
芒脟聽The poetess芒脟脰 the Poe芒脟脰s performance of the feminine
Frances Sargent Osgood, Salon poetry, and the erotic voice print
Sarah Helen Whitman, spiritualist poetics, and the 芒脟聽Phantom Voice芒脟脰 of Poe
Elizabeth Oakes Smith芒脟脰s 芒脟聽Unspeakable Eloquence芒脟脰; Coda: the raven芒脟脰s return
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