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ISBN:9780521194310

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简介

"In this book, Alexander Beecroft explores how the earliest poetry in Greece (Homeric epic and lyric) and China (the Canon of Songs) evolved from being local, oral,and anonymous to being textualized, interpreted, and circulated over increasingly wider areas. Beecroft reexamines representations of authorship as found in poetic biographies such as the Lives of Homer and the Zuozhuan, and in the works of other philosophical and historical authors such as Plato, Aristotle, Herodotus, Confucius, and Sima Qian. Many of these anecdotes and narratives have long been rejected as spurious or motivated by naive biographical criticism. Beecroft arguesthat these texts effectively negotiated the tensions between local and pan-cultural audiences. The figure of the author thus served as a catalyst to a sense of shared cultural identity in both the Greek and Chinese worlds. Italso facilitated the emergence of both cultures as the bases for cosmopolitan world orders."--BOOK JACKET.

目录

Cover 1
Half-title 3
Title 5
Copyright 6
Contents 7
Acknowledgments 9
Introduction 13
Why Greece and China? 16
Excursus on Periodization and Literary Circulation in Greece and China 23
Why Authorship? 28
Chapter by Chapter 32
Notes on Texts and Translations 33
1 Explicit Poetics in Greece and China: Points of Divergence and Convergence 38
The Texts 40
Poetry and the State 41
Representation and Transmission 47
Composition and Performance 59
Conclusions 72
2 Epic Authorship: The Lives of Homer, Textuality, and Panhellenism 73
The Lives of Homer 74
Biographical Fallacies 78
Biographical Devices 84
Birthplace and Genealogy 84
Travel 96
Transcription 102
Recension and Reception 107
Conclusions 112
Excursus on the Lives of Homer 115
3 Lyric Authorship: Poetry, Genre, and the Polis 118
Alcman: The Eastern Spartan, Redux 135
Sappho 141
4 Authorship between Epic and Lyric: Stesichorus, the Palinode, and Performance 156
Socrates and Stesichorus: Blind Poets and Mute Pages 159
Isocrates and Helen: Palinode as/and Performance 164
Herodotus: The Palinode Gains Local Color 169
Pausanias: Locating the Local 173
P. Oxy. 2506 fr. 26 col. 1, 2\u201316: As Many Palinodes as You Please? 176
5 Death and Lingerie: Cosmopolitan and Panhuaxia Readings of the Airs of the States 183
Indexicality and Interpretation 183
The Canon of Songs and Indexicalization 187
The Woods of Zhu and The Pond Shore 191
Citing the Songs in the Zuozhuan: Typical and Atypical Examples 203
Conclusions 211
Excursus: The States in the Airs of the States 212
6 Summit at Fei: The Poetics of Diplomacy in the Zuozhuan 217
The Scene of Diplomatic Authorship: Ritual and Historical Backgrounds 217
The Wild Geese (Hongyan\u2026) (Songs 181; p. 373) 228
The Fourth Month (Siyue\u2026) (Song 204; p. 441) 231
Galloping (Zaichi\u2026), fourth stanza (Song 54; p. 124) 235
Gathering Thornferns (Caiwei\u2026), fourth stanza (Song 167; p. 331) 240
Reading the Zuozhuan Account of the Summit at Fei 244
Conclusions 249
7 The Politics of Dancing: The Great King Wu Dance and the Hymns of Zhou 252
The Poems of the Great King Wu Dance 258
\u2026Wu (Song 285; p. 737) 259
\u2026Zhuo (Song 293; p. 752) 262
\u2026Huan (Song 294; p. 753) 267
\u2026Lai (Song 295; p. 754) 269
Arguing about the Dance: The Great King Wu Dance in Early Texts 273
Conclusions 287
Conclusion: Scenes of Authorship and Master-Narratives 290
Poetics, Explicit and Implicit 290
General Conclusions 294
Bibliography 299
1. General and Theoretical Works 299
2. Works Relating to Greek or Latin 304
3. Works Relating to Chinese 313
Index of Passages Cited 321
General Index 327

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