简介
Das Werk bietet aktuelle Diskurse der Medienkunst im internationalen Kontext und ist gleichzeitig das Buch zur Onlineplattform www.medienkunstnetz.de. Thematische Schwerpunkte lokalisieren die Schnittstellen zwischen den Medien und K]nsten. Essays und Texte von Inke Arns, Dieter Daniels, Steve Dietz, Rudolf Frieling, Susanne Holschbach, Verena Kuni, Gregor Stemmrich und Yvonne Volkart als vertiefende Ergdnzung zu Band 1: Medienkunst im \berblick. Beide Bdnde werden online durch multimediale und audiovisuelle Werkdarstellungen ergdnzt. Themenschwerpunkte u. a.: Essays zu Bild-Ton-Relationen, Cyborg Bodies, Foto/Byte, Generative Tools, Mapping und Text, Public Sphere_s.
目录
Foreword Dr. Wolfgang Bader and Prof. Peter Weibel p. 9
Introduction: Media art can only be conveyed by multimedia Rudolf Frieling and Dieter Daniels p. 13
01 Media to Art/Art to Media: Forerunners of media art in the first half of the twentieth century Dieter Daniels p. 26
02 Television--Art or Anti-art?: Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s Dieter Daniels p. 58
03 Audio Art Golo Follmer p. 100
04 Reality/Mediality: Hybrid processes between art and life Rudolf Frieling p. 141
05 Technological Constructions of Space-Time: Aspects of perception Heike Helfert p. 183
06 Social Technologies: Deconstruction, subversion and the utopia of democratic communication Inke Arns p. 221
07 Virtual Narrations: From the crisis of storytelling to new narration as a mental potentiality Soke Dinkla p. 254
08 Immersion and Interaction: From circular frescoes to interactive image spaces Oliver Grau p. 292
09 Interaction, Participation, Networking: Art and telecommunication Inke Arns p. 333
10 Form Follows Format: Tensions, museums, media technology and media art Rudolf Frieling p. 369
11 Appendix
Register p. 386
Biographies p. 394
Selected Bibliography p. 397
Credits p. 400
Introduction: Media art can only be conveyed by multimedia Rudolf Frieling and Dieter Daniels p. 13
01 Media to Art/Art to Media: Forerunners of media art in the first half of the twentieth century Dieter Daniels p. 26
02 Television--Art or Anti-art?: Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s Dieter Daniels p. 58
03 Audio Art Golo Follmer p. 100
04 Reality/Mediality: Hybrid processes between art and life Rudolf Frieling p. 141
05 Technological Constructions of Space-Time: Aspects of perception Heike Helfert p. 183
06 Social Technologies: Deconstruction, subversion and the utopia of democratic communication Inke Arns p. 221
07 Virtual Narrations: From the crisis of storytelling to new narration as a mental potentiality Soke Dinkla p. 254
08 Immersion and Interaction: From circular frescoes to interactive image spaces Oliver Grau p. 292
09 Interaction, Participation, Networking: Art and telecommunication Inke Arns p. 333
10 Form Follows Format: Tensions, museums, media technology and media art Rudolf Frieling p. 369
11 Appendix
Register p. 386
Biographies p. 394
Selected Bibliography p. 397
Credits p. 400
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