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ISBN:9780415424356

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简介

This book explores how writers such as Amos Tutuola, George Lamming, Samuel Selvon, VS Naipaul, Chinua Achebe, Derek Walcott, Kamau Brathwaite, and Wole Soyinka came to be published in London in important educational series such as the Three Crown Series and African Writers Series. Low takes account of recent debates in the discipline of book hi...   more 籹tory, especially issues that deal with social, cultural, and economic questions of authorship, publishing histories, canon formation, and the production, distribution and reception of texts in the literary market place. Searching publishing archives for readers reports, editorial correspondence and interventions, this book represents a necessary exploration of postwar publishing contexts and the dissemination of texts from London that is crucial to literary histories of the postcolonial book. Taken together as a postwar generation, this cohort of now canonical writers helped "imagine" their respective national communities, yet their intellectual labors entered an elite transnational literary circuit, and correspondingly, were transformed into textual commodities by the economic, social, cultural and institutional transactions that were part of an expanding print capitalism.   ?less

目录

Table Of Contents:
List of Illustrations ix
Acknowledgments xi
Introduction xiii
1 "The Natural Artist": Amos Tutuola's or Faber and Faber's The Palm-Wine Drinkard? 1(25)
2 "Profitable and Politically Expedient?": Oxford University Press and the Three Crowns Series 1962-76 26(32)
3 "In Pursuit of Literary Gold": HEB and the African Writers Series 1962-67 58(35)
4 The Pleasures of Exile: Publishing Anglophone Caribbean Writing in Postwar Britain 93(28)
5 The Magic of Books: Authorship, Cultural and Symbolic Capital 121(24)
Notes 145(22)
Bibliography 167(8)
Index 175

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