Chapter 1: Introduction to Video
1.1 Personal Disciplines in Support of Technique
Development of a Professional Attitude
Attitudes and Self-Image
1.2 The Move to Convergence
1.3 Historical Background
Early Television
Uses of Film and Live Cameras
The Impact of Recorded and Edited Video
Portable Video Equipment
1.4 Recent Innovations
Digital Formats
Computer-Controlled Editing
Video Compression
Interactive Video
A new Technology for Playback and Recording
1.5 Aspects of Employment in the Video Industry
Work Patterns and Locations
Final Notes on Employment
Discussion Questions

Chapter 2: Cast and Crew
2.1 Producers
Before Production Begins
During Rehearsal and Recording
After the Production
2.2 Directors
Before Production Begins
During Rehearsal and Recording
After the Production
2.3 Associate Directors
Before Production Begins
During Rehearsal and Recording
After the Production
2.4 Stage Managers
Before Production Begins
During Rehearsal and Recording
After the Production
2.5 Camera Operators
Before Production Begins
During Rehearsal and Recording
After the Production
2.6 Teleprompter Operators
Before Production Begins
During Rehearsal and Recording
After the Production
2.7 Lighting Directors
Before Production Begins
During Rehearsal and Recording
After the Production
2.8 Audio Operators
Before Production Begins
During Rehearsal and Recording
After the Production
2.9 Technical Directors
Before Production Begins
During Rehearsal and Recording
After the Production
2.10 Graphics Operators
Before Production Begins
During Rehearsal and Recording
After the Production
2.11 Video Operators
Before Production Begins
During Rehearsal and Recording
After the Production
2.12 Editors
Before Production Begins
During Rehearsal and Recording
After the Production
2.13 Other Positions
2.14 Cast
Television Performers
Television Actors
Discussion Questions

Chapter 3: Audio
3.1 Seven Basic Control Functions
Transducing
Channeling
Mixing
Amplifying
Shaping
Monitoring
Recording and Playing Back
3.2 Microphones
Pick-UpPatterns
Impedance
Frequency Response
Tupes of Microphones
Stereo Recording
3.3 Outboard Equipment
CD Players
Turntables
DAT Recorders
Cassette Recorders
MiniDisc Recorders
Cartridge Recorders
Digital Carts
Reel-to-reel Recorders
Videotape Audio Tracks
Synthesizers
Servers and Other Computer-Based Equipment
3.4 Cables, Connectors, and Patch Bays
Cables
Connectors
Patch Bays
3.5 – Audio Consoles
The Basic Board
Advanced Functions
3.6 – Digital Audio Workstations
3.7 – Tips for Recording Good Sound
3.8 Voice Command Procedure
Discussion Questions

Chapter 4: Lighting
4.1 Types of Light: Incident and Reflected
4.2 General Lighting Objectives
Intensity and Consistency
Contrast Radio
Color Temperature
4.3 Creative Lighting Objectives
Shape, Texture, and Perspective
Reality
Mood
Focus of Attention
4.4 Lighting Instruments
Lamps
Spotlights
Floodlights
4.5 Fundamental Lighting Concepts
Three-Point Lighting
Auxiliary Light Sources
Multiple-Camera Lighting
4.6 Lighting Setup Procedures
Mounting Lighting Instruments
Lighting Control Factors
4.7 Preproduction Planning
4.8 Safety Precautions and Disciplines
Discussion Questions

Chapter 5: Cameras
5.1 The Video Scanning Process
NTSC Television
ATSC Television
5.2 Principles of Video Color
Hue
Saturation
Luminance
5.3 Lens Characteristics
Focal Length
Focus
The F-stop Aperture
Depth of Field
5.4 Production Use of the Zoom
Lens Ratio
Movement Control
Macro Lens
5.5 Camera Unit Controls
Viewfinder Visual Indicators and Controls
Filters
White Balance
Video Output Level Selector
Other Controls
5.6 Camera Mounting and Movement
Camera Head Movement
Camera Mounts
Camera Mount Movements
Hand-held Cameras
Robotic Camera Control
5.7 Field of View
The Long Shot (LS)
The Medium Shot (MS)
The Close-up (CU)
Alternating Fields of View
5.8 Picture Composition
Framing
Headroom
Lead Room
Depth Composition
Angle of Elevation
Balance
Other Composition Problems
5.9 Production Techniques
Discussion Questions

6.1 Basic Principles of Video Switchers
Digital Switchers
Master Control and Routing Switchers
6.2 Basic Switcher Design
Buses
Using the Preset Bus
Wipes
Keys
Mix and Preview Buses
6.3 Operational Techniques of Video Switchers
GVG 110HD Overview
Performing Dissolves
Fader Movement
Automatic Transitions
Execution of the Wipe Transition
Keyed Special Effects with Two and Three Sources
6.4 Advanced Switcher Functions
Digital Effects
Advanced Control
6.5 Video Production Commands
Discussion Questions

Chapter 7: Video Recording and Playback
7.1 The Video Signal
Special Attributes of the Video Signal
Generational Losses in Videotape
7.2 Analog Video Signal Flow
Control Components
Diagnostic Components
7.3 Digital Video and Servers
Converting Between Analog and Digital
Compression
Servers and Networks
7.4 Principles of Videotape Recording
Helical-Scan Videotape Recording
Videotape Track Functions
Time Code
7.5 Video Recorder Operation and Controls
Connections
Controls
Visual Indicators and Meters
7.6 Video Recorder Performance and Maintenance
Discussion Questions

Chapter 8: Video Editing
8.1 Comparing Non-Linear and Linear Editing
Advantages of Non-Linear Editing
Disadvantages of Non-Linear Editing
8.2 Types of Editing
Editing Situations
Off-Line and On-Line Editing
8.3 Editing Preparation
Shooting
Review
Decision-Making
8.4 Non-linear Editing
Raw Material—Importing and Digitizing
Editing--Clips and Programs
File Management
Output
8.5 Linear Editing
Linear Editing Configurations
Types of Tape Edits
Linear Editing Techniques
8.6 Editing Aesthetics
When to Edit—Information and Action
Jump Cuts
Screen Direction
Transitions
Ethics of Editing
Discussion Questions

Chapter 9: Graphics and Sets
9.1 Pictorial Design Factors
Balance and Mass
Lines and Angles
Tone and Color
9.2 Computer Generated Graphics
Character Generation
Graphics Generation
Electronic Storage
Proprietary vs. PC-Based Systems
NTSC and ATSC Aspect Ratios
9.3 Other Graphics
Using Out-of-Aspect Graphics
Keystoning and Essential Area
9.4 Graphic Aesthetics
Symbol Size
Simplicity and Style
Color Contrast
9.5 Basics of Sets
9.6 Virtual Sets
9.7 Traditional Sets
Constructing and Obtaining Scenic Elements
Assembling and Setting Up Scenic Elements
Storage of Scenic Elements
Discussion Questions

Chapter 10 Interactive Media
10.1 Interactivity and Dynamic Content
10.2 Elements of Interactive Media
Text
Graphics
Audio
Video
Links
10.3 Types of Interactive Media
Stand-Alone Computer Systems
World Wide Web-Based Systems
10.4 Tools of Interactive Media
Hardware
Software
10.5 Interactive Media Production
Interactive Media Planning
Interactive Media Production
10.6 An Interactive Media Production Example
Discussion Questions

Chapter 11: Producing
11.1 Types of Producers
Executive Producers
Line Producers
Associate Producers
Hyphenates
11.2 Idea Generation
Treatments and Proposals
Varying Script Forms
11.3 Budgets
Costs of Productions
Pay Rates
Facilities and Equipment
Constructing and Adhering to the Budget
The Role of the Unit Manager
Budget Overruns
11.4 Personnel
Casting
Crew Selection
11.5 Production Paperwork
Copyright Clearance
Record Keeping
11.6 Schedules
11.7 Evaluation
Discussion Questions

Chapter 12: Directing
12.1 The “Manager” Role
Blocking
Marking the Script
Preparing Shot Sheets
Conducting Rehearsals
Timing
Calling Commands
12.2 The “Artist” Role
Shot Juxtaposition
Camera Selection
Shot Relationships
Transitions
12.3 The “Psychiatrist” Role
Familiarity
New Relationships
Directorial Style
Expectations
12.4 Production Project: The Discussion Program
Staging
Lighting
Shot Continuity
Transitions
Camera Blocking
Calling Shots
Discussion Questions

Chapter 13: Field Production
13.1 Introduction
Techniques
Discipline
13.2 Cast and Crew
Crew Size
Cleanup
Cast Considerations
Nonsequential Shooting
13.3 Audio
Microphones
Control Equipment
Wildtrack
Extraneous Noise
13.4 Lighting
Indoor Location Lighting
Outdoor Location Lighting
13.5 Cameras
White Balancing
Filters
Gain
Power
Camera Mounts and Movement
Camera Care and Maintenance
13.6 Video Recording
Setup and Connections
Taping Procedure
13.7 Editing
The Editing Process
Audio Editing
13.8 Graphics and Sets
Graphics
Sets
13.9 Producing
Scripting
Finding a Location
Surveying a Location
Stock Footage
Budgeting
Conceptualization and Preproduction Planning
Breakdown Sheets
Shooting Schedule
Stripboards
13.10 Directing
Rehearsals
Production Processes
Editing Aesthetics
Discussion Questions
A Wrap-up

Bibliography
Glossary
Index