简介
"This original and scholarly work uses three detailed case studies of plays Shakespeare's Antony and Cleopatra, King Lear and Cymbeline to cast light on the ways in which early modern writers used metaphor to explore how identities emerge from the interaction of competing regional and spiritual topographies"--
目录
Acknowledgements p. vi
Abbreviations and Editions of Shakespeare used p. vii
1 Introduction: Metaphor and Social Subjectivity p. 1
2 Alternative Cleopatras p. 15
2.1 Introduction p. 15
2.2 Renaissance Cleopatras p. 17
2.3 English Cleopatra in the 1590s: the queen's body p. 27
2.4 Shakespeare's Cleopatra p. 48
3 Kent and Synecdochal Native Identity p. 70
3.1 Introduction: commonplace Kent p. 70
3.2 Rebellious Kent: the historical reiteration of opposition p. 82
3.3 Kent in Lear: personification and conflicted identity p. 98
3.4 Conclusion p. 116
4 English Christendom: Metonymy and Metalepsis p. 119
4.1 Introduction p. 119
4.2 Championing Christendom: current affairs, romance and epic p. 124
4.3 Jacobean Christendom p. 137
4.4 Cymbeline: on the edge of Christendom p. 146
5 Conclusion p. 176
Notes p. 183
Bibliography p. 207
Index p. 232
Abbreviations and Editions of Shakespeare used p. vii
1 Introduction: Metaphor and Social Subjectivity p. 1
2 Alternative Cleopatras p. 15
2.1 Introduction p. 15
2.2 Renaissance Cleopatras p. 17
2.3 English Cleopatra in the 1590s: the queen's body p. 27
2.4 Shakespeare's Cleopatra p. 48
3 Kent and Synecdochal Native Identity p. 70
3.1 Introduction: commonplace Kent p. 70
3.2 Rebellious Kent: the historical reiteration of opposition p. 82
3.3 Kent in Lear: personification and conflicted identity p. 98
3.4 Conclusion p. 116
4 English Christendom: Metonymy and Metalepsis p. 119
4.1 Introduction p. 119
4.2 Championing Christendom: current affairs, romance and epic p. 124
4.3 Jacobean Christendom p. 137
4.4 Cymbeline: on the edge of Christendom p. 146
5 Conclusion p. 176
Notes p. 183
Bibliography p. 207
Index p. 232
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