简介
Summary:
Publisher Summary 1
In this second volume of nineteenth-century music analyses, Ian Bent provides a further selection of newly translated writings of nineteenth-century music critics and theorists, including composers such as Wagner, Schumann and Berlioz, and critics such as A. B. Marx and E. T. A. Hoffmann. Where Volume I, on Fugue, Form and Style, presented nineteen analyses of a technical nature, all the writing here involves a metaphorical style of verbalised description, some pure examples, and others hybrid forms mixed with technical analysis. The music analysed is amongst the best-known in the repertoire: Wagner writes on Beethoven's Ninth Symphony, E. T. A. Hoffmann on the Fifth, Schumann writes on Berlioz, and Berlioz on Meyerbeer. Professor Bent presents each analysis with its own detailed introduction and each is amplified by supporting information in footnotes.
Publisher Summary 2
Newly translated writings of nineteenth-century music critics and theorists, including Wagner and Berlioz.
目录
Table Of Contents:
Preface to volumes I and II xi
List of abbreviations xx
General introduction 1(30)
Part I: Elucidatory analysis
Introduction 31(8)
`[Review: Meyerbeer's] Les Huguenots: The Score' (1836) 39(19)
H. Berlioz
`Report on the Performance of the Ninth Symphony of Beethoven' (1846) 58(11)
R. Wagner
`[Beethoven: Piano Sonata in F, Op. 10 no. 2]' (1852) 69(5)
W. von Lenz
`[Beethoven: Piano Sonata] in F minor, Op. 57 (Appassionata)' (1856) 74(7)
E. von Elterlein
`[J. S. Bach: Three Sonatas for Viola da Gamba and Harpsichord, BWV 1027--9]' (1873) 81(7)
P. Spitta
`Prelude', `Act I [Scene 1]', Parsifal: A Thematic Guide through the Poetry and the Music (1882) 88(18)
H. von Wolzogen
`Anton Bruckner: Symphony No. 4 [in E (``Romantic'')]' (1898) 106(21)
H. Kretzschmar
Part II: Objective-subjective analysis: the hermeneutic circle
Introduction 121(6)
`Analysis of Haydn's Symphony [No. 103 in E (``Drumroll'')]' (1805) 127(14)
J.-J. de Momigny
`[Review: Beethoven's Symphony No. 5 in C minor]' (1810) 141(20)
E. T. A. Hoffmann
`[Review of Berlioz: Fantastic Symphony]' (1835) 161(34)
R. Schumann
`[Verdi:] Simon Boccanegra' (1859) 195(18)
A. Basevi
`[Beethoven:] The Final Symphony' (1859) 213(25)
A. B. Marx
`[Beethoven:] String Quartet in A minor, Op. 132' (1885) 238(29)
T. Helm
Afterword to volumes I and II 267(4)
Bibliographical essay 271(14)
Index 285
Preface to volumes I and II xi
List of abbreviations xx
General introduction 1(30)
Part I: Elucidatory analysis
Introduction 31(8)
`[Review: Meyerbeer's] Les Huguenots: The Score' (1836) 39(19)
H. Berlioz
`Report on the Performance of the Ninth Symphony of Beethoven' (1846) 58(11)
R. Wagner
`[Beethoven: Piano Sonata in F, Op. 10 no. 2]' (1852) 69(5)
W. von Lenz
`[Beethoven: Piano Sonata] in F minor, Op. 57 (Appassionata)' (1856) 74(7)
E. von Elterlein
`[J. S. Bach: Three Sonatas for Viola da Gamba and Harpsichord, BWV 1027--9]' (1873) 81(7)
P. Spitta
`Prelude', `Act I [Scene 1]', Parsifal: A Thematic Guide through the Poetry and the Music (1882) 88(18)
H. von Wolzogen
`Anton Bruckner: Symphony No. 4 [in E (``Romantic'')]' (1898) 106(21)
H. Kretzschmar
Part II: Objective-subjective analysis: the hermeneutic circle
Introduction 121(6)
`Analysis of Haydn's Symphony [No. 103 in E (``Drumroll'')]' (1805) 127(14)
J.-J. de Momigny
`[Review: Beethoven's Symphony No. 5 in C minor]' (1810) 141(20)
E. T. A. Hoffmann
`[Review of Berlioz: Fantastic Symphony]' (1835) 161(34)
R. Schumann
`[Verdi:] Simon Boccanegra' (1859) 195(18)
A. Basevi
`[Beethoven:] The Final Symphony' (1859) 213(25)
A. B. Marx
`[Beethoven:] String Quartet in A minor, Op. 132' (1885) 238(29)
T. Helm
Afterword to volumes I and II 267(4)
Bibliographical essay 271(14)
Index 285
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