Table Of Contents:
Preface 9(2)
Acknowledgements 11(1)
Introduction 12(5)
1:0 Non-style 17(40)

1:1 North Croydon Medical Centre 18(6)

1:1.1 Disposition 20(1)

1:1.2 Differential rules 20(1)

1:1.3 Composition 21(1)

1:1.4 Void + void 21(2)

The true significance of AHMM - Matthew Wells 23(1)

1:2 CASPAR 24(6)

1:2.1 Profit and prototype 26(1)

1:2.2 Diversities 26(1)

1:2.3 Social condenser 26(1)

Prototype - David Dunster 27(3)

1:3 Live-In Room House 30(4)

1:3.1 Expanded field 32(1)

1:3.2 Research and experimentation 32(1)

1:3.3 Coloured space 32(1)

1:3.4 Non-canon 32(2)

1:4 Portsmouth Players 34(4)

1:4.1 Linkage 35(1)

1:4.2 Mannered reaction 35(1)

1:4.3 Detail 35(3)

1:5 Private House 38(4)

1:5.1 Demeanour 40(1)

1:5.2 Modulation 40(2)

1:6 Walsall Bus Station 42(15)

1:6.1 Analogies and metaphors 46(1)

1:6.2 Flows and movements 46(1)

1:6.3 Logic moonbase 47(1)

1:6.4 Civic space 47(8)

A question of timing - Paul Finch 55(2)
2:0 Surface 57(32)

2:1 Work & Learn Zone 58(8)

2:1.1 Gift wrapping 60(1)

2:1.2 Rhythm 60(1)

2:1.3 Angel suits 60(5)

A letter from Shoreditch - Tim Pyne 65(1)

2:2 Walsall Bus Station 66(2)

2:2.1 Field 66(2)

2:3 Live-In Room House 68(2)

2:3.1 Cartoon 68(2)

2:4 Granada Television 70(4)

2:4.1 No logo? 71(1)

2:4.2 Wallpaper 72(1)

2:4.3 Direction 73(1)

2:5 Morelands 74(2)

2:5.1 Grain 75(1)

2:5.2 Patina 75(1)

2:6 Dalston Lane 76(4)

2:6.1 Camouflage 78(1)

2:6.2 Cake and icing 78(2)

2:7 Crown Street Buildings 80(4)

2:7.1 Armadillo 82(1)

2:7.2 Chameleon 82(2)

2:8 Broadgate Club West 84(5)

2:8.1 Spine and guts 86(1)

2:8.2 Wash and glow 86(1)

2:8.3 Mirror and body 86(1)

2:8.4 Face and mask 86(1)

2:8.5 Poetry and promotion 87(2)
3:0 Getting things done 89(24)

3:1 Paternoster Alternative 90(6)

3:1.1 Paternoster City 92(1)

3:1.2 Piazza del Duomo 92(1)

3:1.3 Fun Fair City 92(1)

3:1.4 Pavarotti in the Pulpit 92(1)

3:1.5 Dome 92(3)

Optimistic worlds - Neil Spiller 95(1)

3:2 Melvin Apartment 96(2)

3:2.1 Ring-fence 97(1)

3:2.2 St Jerome in his study 97(1)

3:2.3 Cover star 97(1)

3:3 Under 50K 98(2)

3:3.1 Value 98(1)

3:3.2 Career 98(1)

3:3.3 Professional role 98(1)

Ordinary/extraordinary-Jeremy Melvin 99(1)

3:4 Halas Archive 100(2)

3:4.1 Dummy 101(1)

3:4.2 Minimal 101(1)

3:5 St. Mary's Nursery School 102(2)

3:5.1 Cold call 103(1)

3:5.2 Terrain 103(1)

3:6 Millennium Products 104(4)

3:6.1 Touch 105(1)

3:6.2 Body seduction 105(1)

3:6.3 Metaphor 105(1)

3:6.4 Spectacle 105(1)

3:6.5 Abacus 105(1)

3:6.6 Curiosity cabinet 105(3)

3:7 Corn Exchange Hoarding 108(5)

3:7.1 Viewpoints 110(1)

3:7.2 Is this art? 110(1)

3:7.3 Local sensibility 111(2)
4:0 Landing 113(34)

4:1 Great Notley Primary School 114(8)

4:1.1 The law of diminishing returns 116(1)

4:1.2 Materials and devices 116(1)

4:1.3 Microclimate 116(1)

4:1.4 The triangle approximates the circle 116(1)

4:1.5 Farmyards and stealth bombers 117(2)

Environmental and sustainable design - Patrick Bellew 119(3)

4:2 West Pier 2000 122(4)

4:2.1 Sun 123(1)

4:2.2 Sea 123(2)

4:2.3 Wind 125(1)

4:3 Monsoon 126(6)

4:3.1 Strategies of time 129(1)

4:3.2 Past I: battleship 129(1)

4:3.3 Past II: rotunda 129(2)

4:3.4 Present future I: operation 131(1)

4:3.5 Present future II: arts 131(1)

4:4 Union Square 132(4)

4:4.1 Silhouette 134(1)

4:4.2 Breaking up the block 134(1)

4:4.3 Firming up the square 134(2)

4:5 New Garden House 136(4)

4:5.1 Dock 138(1)

4:5.2 Landing stage 138(2)

4:6 Poolhouse 140(7)

4:6.1 A guest in the garden 143(1)

4:6.2 Elemental relations 143(1)

The Old Man - Iain Borden 143(4)
5:0 Interacting 147(26)

5:1 Designing for Doctors 148(1)

5:1.1 Architecture for architects 148(1)

5:2 CASPAR 149(1)

5:2.1 Research and development 149(1)

5:2.2 Partnering and M41 149(1)

5:3 MoMo Apartments 150(2)

5:3.1 Technology transfer 151(1)

5:3.2 Flexible specification 151(1)

5:3.3 Touch the ground lightly 151(1)

5:3.4 Fit out and finish 151(1)

5:3.5 Spacing time 151(1)

5:4 The Fifth Man 152(4)

5:4.1 The Fifth Member 152(1)

5:4.2 The Fifth Space 153(1)

5:4.3 The Fifth Architect 154(1)

5:4.4 The Fifth Mind 154(1)

Collaborative research - Farshid Moussavi 155(1)

Uncharted territory - Jon Corpe 155(1)

5:5 The Office 156(9)

5:5.1 Ham and High 157(1)

5:5.2 Pocket money 157(1)

5:5.3 POM 157(2)

5:5.4 Projects X, Y and Z: sacking the client 159(5)

Architecture can be about people - Peter Cook 164(1)

5:6 Unit 10 165(3)

5:6.1 Programmes 165(1)

5:6.2 Conversations 165(3)

5:7 Dalston Lane 168(2)

5:7.1 Amending planning 168(1)

5:7.2 Turnaround 169(1)

5:8 Walsall Bus Station 170(3)

5:8.1 Finite element analysis 171(2)
6:0 Spacing 173(47)

6:1 Clearwater Yard 174(6)

6:1.1 Closure 175(1)

6:1.2 Aperture 175(1)

6:1.3 Vectors of law 175(1)

6:1.4 Vectors of sight 176(1)

6:1.5 Inner world/other world 176(4)

6:2 Mallett-Catcheside House 180(4)

6:2.1 Section 181(1)

6:2.2 Event 181(1)

6:2.3 Texture 181(1)

6:2.4 Television 181(2)

On pragmatism - Lee Mallett 183(1)

6:3 Barbican Centre 184(4)

6:3.1 Unification 186(2)

6:4 Private Apartment 188(4)

6:4.1 Stage Set 189(1)

6:4.2 Discomfort 190(1)

6:4.3 Display 190(2)

6:5 Great Notley Primary School 192(2)

6:5.1 Intensity 192(1)

6:5.2 Schema 192(2)

6:6 Raines Dairy 194(6)

6:6.1 Modularisation 196(1)

6:6.2 Site benefits 196(1)

6:6.3 Patterning 197(1)

6:6.4 Urban presence 197(2)

A factor of change - Cedric Price 199(1)

6:7 Otemon Housing 200(2)

6:7.1 Filter 201(1)

6:8 Poolhouse 202(2)

6:8.1 Precision 202(2)

6:9 Jubilee School 204(16)

6:9.1 Ugly beautiful thing 208(1)

6:9.2 Modulations 208(1)

6:9.3 Corners 209(1)

6:9.4 Development 209(1)

6:9.5 Temporality 210(2)

Going for a drink? - Martin Richman 212(8)
Project Chronology 220(8)
Collaborators 228(2)
Partner Biographies 230(1)
Contributors 230(1)
Bibliography 231(5)
Index 236