简介
Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium聽 Appeals to people interested in artist's use of photography and in contemporary art聽聽 Tracks the efflorescence of photography as one of the most important mediums for contemporary art聽 Explores the relation between recent art, theory and aesthetics, for which photography serves as an important test case聽 Includes a number of the essays with previously unpublished photographs Artists discussed include Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall
目录
Table of contents Front Matter (pages i–vii)
Introduction: Photography after Conceptual Art (pages 1–11)Diarmuid Costello and Margaret Iversen
Auto-Maticity: Ruscha and Performative Photography (pages 12–27)Margaret Iversen
Ed Ruscha, Heidegger, and Deadpan Photography (pages 28–49)Aron Vinegar
Subject, Object, Mimesis: The Aesthetic World of the Bechers' Photography (pages 50–69)Sarah E. James
Exit Ghost: Douglas Huebler's Face Value (pages 70–85)Gordon Hughes
Productive Misunderstandings: Interpreting Mel Bochner's Theory of Photography (pages 87–107)Luke Skrebowski
Roni Horn's Icelandic Encyclopedia (pages 108–129)Mark Godfrey
Thomas Demand, Jeff Wall and Sherrie Levine: Deforming ‘Pictures’ (pages 130–152)Tamara Trodd
Almost Merovingian: On Jeff Wall's Relation to Nearly Everything (pages 153–171)Wolfgang Brückle
Morning Cleaning: Jeff Wall and The Large Glass(pages 172–191)Christine Conley
Introduction: Photography after Conceptual Art (pages 1–11)Diarmuid Costello and Margaret Iversen
Auto-Maticity: Ruscha and Performative Photography (pages 12–27)Margaret Iversen
Ed Ruscha, Heidegger, and Deadpan Photography (pages 28–49)Aron Vinegar
Subject, Object, Mimesis: The Aesthetic World of the Bechers' Photography (pages 50–69)Sarah E. James
Exit Ghost: Douglas Huebler's Face Value (pages 70–85)Gordon Hughes
Productive Misunderstandings: Interpreting Mel Bochner's Theory of Photography (pages 87–107)Luke Skrebowski
Roni Horn's Icelandic Encyclopedia (pages 108–129)Mark Godfrey
Thomas Demand, Jeff Wall and Sherrie Levine: Deforming ‘Pictures’ (pages 130–152)Tamara Trodd
Almost Merovingian: On Jeff Wall's Relation to Nearly Everything (pages 153–171)Wolfgang Brückle
Morning Cleaning: Jeff Wall and The Large Glass(pages 172–191)Christine Conley
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