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ISBN：9783822853108

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简介

简介

Harmony between man and nature In a revolt against Rationalism, Romanticism was characterized by a return to nature and belief in the goodness of humanity, with the artist considered to be a profoundly individual creator. Beginning in the early 19th century, Romantic ideals developed largely in opposition to entrenchment in the traditions of Greco-Roman antiquity, and advocated an open-ended and progressive?that is, modern?view of the age. Yet Romantic artists, searching perhaps for unattainable ideals, also turned back to the late medieval and Renaissance periods for nostalgic themes from the Judeo-Christian heritage; with the aid of these themes, they believed that a politically and intellectually enlightened utopia could be achieved. Romantic styles and subjects varied widely throughout Europe and America, ranging from tranquil contemplative scenes to spectacularly staged events, and it is precisely this diversity that lends Romantic art its fascination and lasting influence. Artists featured among others: Albert Bierstadt, George Bingham, William Blake, Carl Gustave Carus, Frederic Edwin Church, Thomas Cole, John Constable, Peter von Cornelius, Jean-Baptiste Camille Corot, Eug?ne Delacroix, Carl Philipp Fohr, Caspar David Friedrich, Henry Fuseli, Fran?ois G?rard, Th?odore G?ricault, Francisco Jos? de Goya, Antoine-Jean Gros, Jean Auguste Dominique Ingres, Friedrich Overbeck, Franz Pforr, Pierre-Paul Prudhon, Ludwig Richter, Carl Rottmann, Philipp Otto Runge, Karl Friedrich Schinkel, Carl Spitzweg, William Turner

Ideals in nineteenth-century painting
The nightmare / Henry Fuseli
Hecate / William Blake
Madame Récamier / Fran ois Gérard
Self-portrait / Tommaso Minardi
Justice and divine vengeange pursuing crime / Pierre-Paul Prud'hon
Morning (first version) / Philipp Otto Runge
Portrait of the Second Lieutenant Charles Legrand / Antoine-Jean Gros
Shulamit and Mary / Franz Pforr
Man reading at lamplight / Georg Friedrich Kersting
The execution of the rebels of 3 May 1808 / Francisco de Goya
Set design for "The Magic Flute" : starry sky for the Queen of the Night / Karl Friedrich Schinkel
Joseph reveals himself to his brothers / Peter von Cornelius
Wanderer watching a sea of fog / Caspar David Friedrich
Ideal landscape near Rocca Canterana / Cal Philipp Fohr
The raft of the Medusa / Theodore Géricault
Dante and Vergil in hell (The Barque of Dante) / Eugène Delacroix
Eruption of the Vesuvius / Johan Christian Clausen Dahl
Salisbury Cathedral, from the Bishop's grounds / John Constable
View of the Eibsee / Carl Rottmann
Mazeppa / Horace Vernet
Italia and Germania (Shulamit and Mary) / Friedrich Overbeck
Scene from the Apocalypse / Francis Danby
Devil's bridge / Karl Blechen
The Goethe monument / Carl Gustav Carus
The Titan's goblet / Thomas Cole
Crossing at the Schreckenstein / Ludwig Richter
The poor poet / Carl Spitzweg
Pandemonium / John Martin
Peace, burial at sea / William Turner
Fur traders descending the Missouri / George Caleb Bingham
The defense of Saragossa / Eugenio Lucas y Padilla
Niagara Falls / Frederic Edwin Church
The Turkish bath / Jean-Auguste-Dominique Ingres
Half Dome, Yosemite / Albert Bierstadt
Agostina / Jean-Baptiste Camille Corot.

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