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Summary:
Publisher Summary 1
A close look at the music and culture of dance clubs and the "rave" phenomenon..
Publisher Summary 2
Focusing on youth cultures that revolve around dance clubs and raves in Great Britain and the U.S., Sarah Thornton highlights the values of authenticity and hipness and explores the complex hierarchies that emerge within the domain of popular culture. She portrays club cultures as "taste cultures" brought together by micro-media like flyers and listings, transformed into self-conscious "subcultures" by such niche media as the music and style press, and sometimes recast as "movements" with the aid of such mass media as tabloid newspaper front pages. She also traces changes in the recording medium from a marginal entertainment in the 50s to the clubs and raves of the 90s.
Drawing on the work of Pierre Bourdieu, Thornton coins the term "subcultural capital" to make sense of distinctions made by "cool" youth, noting particularly their disparagement of the "mainstream" against which they measure their alternative cultural worth. Well supported with case studies, readable, and innovative, Club Cultures will become a key text in cultural and media studies and in the sociology of culture.
目录
List of Plates
List of Figures
Acknowledgements
The Distinctions of Cultures Without Distinction
Introduction p. 1
Youth and their Social Spaces p. 14
Authenticities from Record Hops to Raves (and the History of Disc Culture)
The Authentication of a Mass Medium p. 26
Industrial Forces, Musician Resistance and 'Live' Ideology p. 34
'Real' Events and Altered Spaces p. 51
Disc Jockeys and Social Sounds p. 58
The Authenticities of Dance Genres p. 66
The Response of the 'Live' Gig p. 76
Conclusion p. 85
Exploring the Meaning of the Mainstream (or why Sharon and Tracy Dance around their Handbags)
A Night of Research p. 87
Academic Accounts of the Cultural Organization of Youth p. 92
The Social Logic of Subcultural Capital p. 98
Participation versus Observation of Dance Crowds p. 105
Conclusion p. 114
The Media Development of 'Subcultures' (or the Sensational Story of 'Acid House')
The Underground versus the Overexposed p. 116
Mass Media: 'Selling Out' and 'Moral Panic' p. 122
Micro-Media: Flyers, Listings, Fanzines, Pirates p. 137
Niche Media: the Editorial Search for Subcultures p. 151
Conclusion p. 161
Afterword p. 163
Bibliography p. 169
Index p. 188
List of Figures
Acknowledgements
The Distinctions of Cultures Without Distinction
Introduction p. 1
Youth and their Social Spaces p. 14
Authenticities from Record Hops to Raves (and the History of Disc Culture)
The Authentication of a Mass Medium p. 26
Industrial Forces, Musician Resistance and 'Live' Ideology p. 34
'Real' Events and Altered Spaces p. 51
Disc Jockeys and Social Sounds p. 58
The Authenticities of Dance Genres p. 66
The Response of the 'Live' Gig p. 76
Conclusion p. 85
Exploring the Meaning of the Mainstream (or why Sharon and Tracy Dance around their Handbags)
A Night of Research p. 87
Academic Accounts of the Cultural Organization of Youth p. 92
The Social Logic of Subcultural Capital p. 98
Participation versus Observation of Dance Crowds p. 105
Conclusion p. 114
The Media Development of 'Subcultures' (or the Sensational Story of 'Acid House')
The Underground versus the Overexposed p. 116
Mass Media: 'Selling Out' and 'Moral Panic' p. 122
Micro-Media: Flyers, Listings, Fanzines, Pirates p. 137
Niche Media: the Editorial Search for Subcultures p. 151
Conclusion p. 161
Afterword p. 163
Bibliography p. 169
Index p. 188
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