简介
Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence. The Picture of Dorian Gray was a succes de scandal. Early readers were shocked by its hints of unspeakable sins, and the book was later used as evidence against Wilde at his trial at the Old Bailey in 1895.
目录
List of Illustrations About Longman Cultural Editions About This Edition Introduction Table of Dates The Picture of Dorian Gray (1891) Contexts Textual Issues The Two Versions of The Picture of Dorian Gray from Chapter 1 (1890, 1891) from Chapter 7 (1890) and Chapter 9 (1891) from Chapter 10 (1890) and Chapter 12 (1891) from Chapter 13 (1890) and Chapter 20 (1891) Chapter 11: Further Annotations Victorian Reactions to The Picture of Dorian Gray Reviews Ward, Lock, and Co., Lippincott's Advertisement for The Picture of Dorian Gray Samuel Henry Jeyes, St. James's Gazette and Wilde's responses Walter Pater, The Bookman Paradies Robert Smythe Hichens, from The Green Carnation George Slythe Street, from The Autobiography of a Boy Wilde's Trials from Regina (Oscar Wilde) vs. John Douglas (Marquess of Queensberry) Aestheticism Walter Pater, "Conclusion" to The Renaissance Mathew Arnold, from Culture and Anarchy Oscar Wilde, from The Decay of Lying Joris-Karl Huysmans, from A Rebours (Against the Grain) Science Charles Darwin, from The Descent of Man William Kingdon Clifford, from "Right and Wrong: The Scientific Ground of their Distinction" Thomas Henry Huxley, from "Science and Culture" Henry Maudsley, from The Physiology and Pathology of the Mind Love between Men John Addington Symonds, from "A Problem in Greek Ethics" Richard St. John Tyrwhitt, from "The Greek Spirit in Modern Literature" Havelock Ellis, from Sexual Inversion Works Cited in the Notes Further Reading
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