简介
Is it possible that changes in rhetorical practice could alter not just how thought is expressed, but also how it is made? Through a close stylistic and rhetorical analysis of contemporary feminist writing - from the cultural theory of Judith Butler to the popular journalism of Naomi Wolf and Germaine Greer - Lynne Pearce demonstrates how feminist thought is created as well as communicated through the frameworks in which it is presented. By linking rhetorical innovation with feminist epistemology in such a direct way, this is a book that will be of immense methodological as well as theoretical interest to readers, providing valuable insight into the often mysterious processes of conception and composition.
目录
Table Of Contents:
General Editor's Preface ix
Acknowledgements xi
Introduction 1(4)
The orality of language 5(11)
The literate mind and the oral past 5(5)
Did you say `oral literature'? 10(6)
The modern discovery of primary oral cultures 16(15)
Early awareness of oral tradition 16(1)
The Homeric question 17(3)
Milman Parry's discovery 20(7)
Consequent and related work 27(4)
Some psychodynamics of orality 31(46)
Sounded word as power and action 31(2)
You know what you can recall: mnemonics and formulas 33(3)
Further characteristics of orally based thought and expression 36(21)
Additive rather than subordinative 37(1)
Aggregative rather than analytic 38(1)
Redundant or `copious' 39(2)
Conservative or traditionalist 41(1)
Close to the human lifeworld 42(1)
Agonistically toned 43(2)
Empathetic and participatory rather than objectively distanced 45(1)
Homeostatic 46(3)
Situational rather than abstract 49(8)
Oral memorization 57(10)
Verbomotor lifestyle 67(2)
The noetic role of heroic `heavy' figures and of the bizarre 69(1)
The interiority of sound 70(3)
Orality, community and the sacral 73(1)
Words are not signs 74(3)
Writing restructures consciousness 77(38)
The new world of autonomous discourse 77(1)
Plato, writing and computers 78(2)
Writing is a technology 80(2)
What is `writing' or `script'? 82(2)
Many scripts but only one alphabet 84(8)
The onset of literacy 92(3)
From memory to written records 95(5)
Some dynamics of textuality 100(2)
Distance, precision, grapholects and magnavocabularies 102(5)
Interactions: rhetoric and the places 107(3)
Interactions: learned languages 110(3)
Tenaciousness of orality 113(2)
Print, space and closure 115(21)
Hearing-dominance yields to sight-dominance 115(6)
Space and meaning 121(6)
Indexes 121(3)
Books, contents and labels 124(1)
Meaningful surface 124(2)
Typographic space 126(1)
More diffuse effects 127(2)
Print and closure: intertextuality 129(4)
Post-typography: electronics 133(3)
Oral memory, the story line and characterization 136(17)
The primacy of the story line 136(1)
Narrative and oral cultures 137(1)
Oral memory and the story line 138(6)
Closure of plot: travelogue to detective story 144(4)
The `round' character, writing and print 148(5)
Some theorems 153(24)
Literary history 154(3)
New Criticism and Formalism 157(4)
Structuralism 161(1)
Textualists and deconstructionists 162(4)
Speech-act and reader-response theory 166(2)
Social sciences, philosophy, biblical studies 168(3)
Orality, writing and being human 171(1)
`Media' versus human communication 172(2)
The inward turn: consciousness and the text 174(3)
Bibliography 177(17)
Index 194
General Editor's Preface ix
Acknowledgements xi
Introduction 1(4)
The orality of language 5(11)
The literate mind and the oral past 5(5)
Did you say `oral literature'? 10(6)
The modern discovery of primary oral cultures 16(15)
Early awareness of oral tradition 16(1)
The Homeric question 17(3)
Milman Parry's discovery 20(7)
Consequent and related work 27(4)
Some psychodynamics of orality 31(46)
Sounded word as power and action 31(2)
You know what you can recall: mnemonics and formulas 33(3)
Further characteristics of orally based thought and expression 36(21)
Additive rather than subordinative 37(1)
Aggregative rather than analytic 38(1)
Redundant or `copious' 39(2)
Conservative or traditionalist 41(1)
Close to the human lifeworld 42(1)
Agonistically toned 43(2)
Empathetic and participatory rather than objectively distanced 45(1)
Homeostatic 46(3)
Situational rather than abstract 49(8)
Oral memorization 57(10)
Verbomotor lifestyle 67(2)
The noetic role of heroic `heavy' figures and of the bizarre 69(1)
The interiority of sound 70(3)
Orality, community and the sacral 73(1)
Words are not signs 74(3)
Writing restructures consciousness 77(38)
The new world of autonomous discourse 77(1)
Plato, writing and computers 78(2)
Writing is a technology 80(2)
What is `writing' or `script'? 82(2)
Many scripts but only one alphabet 84(8)
The onset of literacy 92(3)
From memory to written records 95(5)
Some dynamics of textuality 100(2)
Distance, precision, grapholects and magnavocabularies 102(5)
Interactions: rhetoric and the places 107(3)
Interactions: learned languages 110(3)
Tenaciousness of orality 113(2)
Print, space and closure 115(21)
Hearing-dominance yields to sight-dominance 115(6)
Space and meaning 121(6)
Indexes 121(3)
Books, contents and labels 124(1)
Meaningful surface 124(2)
Typographic space 126(1)
More diffuse effects 127(2)
Print and closure: intertextuality 129(4)
Post-typography: electronics 133(3)
Oral memory, the story line and characterization 136(17)
The primacy of the story line 136(1)
Narrative and oral cultures 137(1)
Oral memory and the story line 138(6)
Closure of plot: travelogue to detective story 144(4)
The `round' character, writing and print 148(5)
Some theorems 153(24)
Literary history 154(3)
New Criticism and Formalism 157(4)
Structuralism 161(1)
Textualists and deconstructionists 162(4)
Speech-act and reader-response theory 166(2)
Social sciences, philosophy, biblical studies 168(3)
Orality, writing and being human 171(1)
`Media' versus human communication 172(2)
The inward turn: consciousness and the text 174(3)
Bibliography 177(17)
Index 194
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