简介
Summary:
Publisher Summary 1
An in-depth exploration of the work of four major writers confronting Jewish nationalism and the fate of the diaspora.
Publisher Summary 2
This interdisciplinary study explores the evolving representations of diaspora and Zionism in Jewish American writing from 1880 to the late 20th century. Beginning with the often neglected proto-Zionist verse of Emma Lazarus, through the urban and Holocaust-inflected lyrics of Marie Syrkin and Charles Reznikoff, to the post-assimilationist novels of Philip Roth in the 1990s, Ranen Omer-Sherman analyzes literary responses to the competing claims on the self made by this dual allegiance.
He explores ethnic nationalism in the works of Lazarus; history and identity in the prose and verse of Syrkin and her husband Reznikoff; and considers the Jewish writer's relation to the loss of diasporic affliction as an organizing principle for Jewish life in the novels of Roth. Much more than just literary criticism, Omer-Sherman shows how this literature developed in direct relation to crucial phases in Jewish acculturation in the context of nativism, xenophobia, the holocaust, and a beckoning distant homeland.
目录
Acknowledgments
Introduction p. 1
"Thy People Are My People": Emma Lazarus, Zion, and Jewish Modernity in the 1880s p. 15
"It Will Not Be the Saving Remnant": Marie Syrkin and the Post-Holocaust Politics of Jewish American Identity p. 68
Convivencia, Hybridity, and the Jewish Urban Modernist p. 110
"Palestine Was a Halting Place, One of Many": Diasporism in Charles Reznikoff's Nine Plays and Beyond p. 151
"No Coherence": Philip Roth's Lamentations for Diaspora p. 191
"A Stranger in the House": Assimilation, Madness, and Passing in Roth's Figure of the Pariah Jew in Sabbath's Theater (1995), American Pastoral (1997), and The Human Stain (2000) p. 234
Conclusion: Jewish Dreaming, Jewish Geography in a Transitional Age p. 267
Notes p. 283
Works Cited p. 315
Index p. 335
Introduction p. 1
"Thy People Are My People": Emma Lazarus, Zion, and Jewish Modernity in the 1880s p. 15
"It Will Not Be the Saving Remnant": Marie Syrkin and the Post-Holocaust Politics of Jewish American Identity p. 68
Convivencia, Hybridity, and the Jewish Urban Modernist p. 110
"Palestine Was a Halting Place, One of Many": Diasporism in Charles Reznikoff's Nine Plays and Beyond p. 151
"No Coherence": Philip Roth's Lamentations for Diaspora p. 191
"A Stranger in the House": Assimilation, Madness, and Passing in Roth's Figure of the Pariah Jew in Sabbath's Theater (1995), American Pastoral (1997), and The Human Stain (2000) p. 234
Conclusion: Jewish Dreaming, Jewish Geography in a Transitional Age p. 267
Notes p. 283
Works Cited p. 315
Index p. 335
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