简介
Summary:
Publisher Summary 1
Fresh explorations of the tragicomic drama, setting the familiar plays of Shakespeare and his contemporaries alongside Irish and European drama.
Publisher Summary 2
Tragicomedy is one of the most important dramatic genres in Renaissance literature, and the essays collected here offer stimulating new perspectives and insights, as well as providing broad introductions to arguably lesser-known European texts. Alongside the chapters on Classical, Italian, Spanish, and French material, there are striking and fresh approaches to Shakespeare and his contemporaries -- to the origins of mixed genre in English, to the development of Shakespearean and Fletcherian drama, to periodization in Shakespeare's career, to the language of tragicomedy, and to the theological structure of genre. The collection concludes with two essays on Irish theatre and its interactions with the London stage, further evidence of the persistent and changing energy of tragicomedy in the period. Contributors: SARAH DEWAR-WATSON, MATTHEW TREHERNE, ROBERT HENKE, GERAINT EVANS, NICHOLAS HAMMOND, ROS KING, SUZANNE GOSSETT, GORDAN MCMULLAN, MICHAEL WINMORE, JONATHAN HOPE, MICHAEL NEILL, LUCY MUNRO, DEANA RANKIN
目录
Acknowledgements p. vii
Notes on Contributors p. viii
Introduction Raphael Lyne and Subha Mukherji p. 1
1 Aristotle and Tragicomedy Sarah Dewar-Watson p. 15
2 The Difficult Emergence of Pastoral Tragicomedy: Guarini's Il pastor fido and its Critical Reception in Italy, 1586-1601 Matthew Treherne p. 28
3 Transporting Tragicomedy: Shakespeare and the Magical Pastoral of the Commedia Dell'arte Robert Henke p. 43
4 The Minotaur of the Stage: Tragicomedy in Spain Geraint Evans p. 59
5 Highly Irregular: Defining Tragicomedy in Seventeenth-Century France Nicholas Hammond p. 76
6 In Lieu of Democracy, or How Not To Lose Your Head: Theatre and Authority in Renaissance England Ros King p. 84
7 Taking Perciels Seriously Suzanne Gossett p. 101
8 'The Neutral Term'?: Shakespearean Tragicomedy and the Idea of the 'Late Play' Gordon McMullan p. 115
9 Shakespeare by the Numbers: On the Linguistic Texture of the Late Plays Michael Witmore and Jonathan Hope p. 133
10 Turn and Counterturn: Merchanting, Apostasy and Tragicomic Form in Massinger's The Renegado Michael Neill p. 154
11 Dublin Tragicomedy and London Stages Lucy Munro p. 175
13 'Betwixt Both': Sketching the Borders of Seventeenth-Century Tragicomedy Deana Rankin p. 193
Index p. 209
Notes on Contributors p. viii
Introduction Raphael Lyne and Subha Mukherji p. 1
1 Aristotle and Tragicomedy Sarah Dewar-Watson p. 15
2 The Difficult Emergence of Pastoral Tragicomedy: Guarini's Il pastor fido and its Critical Reception in Italy, 1586-1601 Matthew Treherne p. 28
3 Transporting Tragicomedy: Shakespeare and the Magical Pastoral of the Commedia Dell'arte Robert Henke p. 43
4 The Minotaur of the Stage: Tragicomedy in Spain Geraint Evans p. 59
5 Highly Irregular: Defining Tragicomedy in Seventeenth-Century France Nicholas Hammond p. 76
6 In Lieu of Democracy, or How Not To Lose Your Head: Theatre and Authority in Renaissance England Ros King p. 84
7 Taking Perciels Seriously Suzanne Gossett p. 101
8 'The Neutral Term'?: Shakespearean Tragicomedy and the Idea of the 'Late Play' Gordon McMullan p. 115
9 Shakespeare by the Numbers: On the Linguistic Texture of the Late Plays Michael Witmore and Jonathan Hope p. 133
10 Turn and Counterturn: Merchanting, Apostasy and Tragicomic Form in Massinger's The Renegado Michael Neill p. 154
11 Dublin Tragicomedy and London Stages Lucy Munro p. 175
13 'Betwixt Both': Sketching the Borders of Seventeenth-Century Tragicomedy Deana Rankin p. 193
Index p. 209
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