简介
Juschka (gender studies and religious studies, U. of Regina, Canada) conducts a multidisciplinary analysis of gender/sex and gender/sex ideology, particularly as they relate to myth, ritual, and sign-symbol. She first describes her theory of the semiotics of gender/sex, which is informed by the work of Louis Althusser on ideology; Antonio Gramsci on hegemony and ideology; Judith Butler on the performance of gender/sex; and Ferdinand de Saussure, Claude L茅vi-Strauss, Michel de Certeau, and Roland Barthes on semiotics, among others. After describing the theory as she has developed it, she applies it within explorations of the literary engagements of Angela Carter with mythology, the American mytheme of man as hunter and woman as gatherer, rituals of possession and exorcism in early modern France, the figure of the ancient Roman gladiator and its depiction in modern American film, and the iconography of the elephant-headed Indian deity Ganesha. Distributed in North America by The David Brown Book Co. Annotation 漏2010 Book News, Inc., Portland, OR (booknews.com)
目录
Tables p. vii
Acknowledgements p. ix
Introduction: Topographical Excursions on Theoretical Paths p. 1
Chapter 1 A Semiotics of Gender Prolegomena p. 18
Chapter 2 Feminist Encounters with Myth Engaging Angela Carter p. 41
Chapter 3 The Agon of Men Masculinity and Warfare p. 71
Chapter 4 Signifying Demons Gender and the Ritualised Performance of Possession and Exorcism p. 93
Chapter 5 Spectacles of Gender Performing Masculinities in Ancient Rome and Modern Cinema p. 132
Chapter 6 Sign-symbol and Icon Deconstructing the Eliadean Paradigm p. 162
Conclusion: Gender Ideology, Systems of Belief and Practice, and Epistemology p. 190
Bibliography p. 199
Subject Index p. 215
Author Index p. 220
Acknowledgements p. ix
Introduction: Topographical Excursions on Theoretical Paths p. 1
Chapter 1 A Semiotics of Gender Prolegomena p. 18
Chapter 2 Feminist Encounters with Myth Engaging Angela Carter p. 41
Chapter 3 The Agon of Men Masculinity and Warfare p. 71
Chapter 4 Signifying Demons Gender and the Ritualised Performance of Possession and Exorcism p. 93
Chapter 5 Spectacles of Gender Performing Masculinities in Ancient Rome and Modern Cinema p. 132
Chapter 6 Sign-symbol and Icon Deconstructing the Eliadean Paradigm p. 162
Conclusion: Gender Ideology, Systems of Belief and Practice, and Epistemology p. 190
Bibliography p. 199
Subject Index p. 215
Author Index p. 220
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