简介
From Jacob Epstein to Sarah Lucas, this magnificent book explores sculpture in Britain over the last 130 years. Including works by varied artists such as Frederic Lord Leighton, Alfred Gilbert, Eric Gill, Henri Gaudier-Brzeska, Ben Nicholson, Barbara Hepworth, Henry Moore, Anthony Caro, Richard Long, and Damien Hirst, the book highlights the dialogues between British and international sculpture, examines the importance of the country's landscape as a location and medium, and looks at the perennial choice faced by the sculptor between figuration and abstraction. Sculpture has changed dramatically in the last century. This compelling book documents these seismic shifts.
目录
Table Of Contents:
President's Foreword 7(1)
Preservation Partner's Statement 8(2)
Acknowledgements 10(2)
Curators' Preface 12(2)
British British Sculpture Sculpture 14(15)
Penelope Curtis
Catalogue 29(1)
Penelope Curtis
Monumentalising Life and Death 30(22)
Let There Be History: Epstein's BMA House Sculptures 36(10)
Sarah Crellin
The Cenotaph 46(6)
Catherine Morlarty
Theft by Finding 52(40)
Looking Around at Leisure: Sculptors and the British Museum 84(8)
Adrian Locke
Adam 92(14)
Stone, Sex and Empire: Direct Carving and `British' Sculpture 100(6)
Sarah Victoria Turner
The Establishment Figure 106(16)
Authority Figures 114(8)
Martina Droth
Ceramics and the Influence of Craft 122(24)
`Plastic Art in Its Most Abstract Essence': Pottery and Art in the Interwar Years 136(10)
Simon Ford
Hepworth and Moore 146(16)
The Centre of Modern Sculpture: Some Thoughts on Hepworth and Moore 152(10)
Arie Hartog
Environmental Construction 162(10)
On the Status of the Space Frame 166(6)
Jeffrey Steele
Early One Morning 172(16)
Anthony Caro, `Early One Morning' 178(10)
Alex Potts
The Persistence of British Landscape 188(38)
From Land Art to the Anthropocene 196(6)
Joy Sleeman
The Absence of a Mother Tongue 202(24)
Alastair Rider
Towards Sculpture as Image 226(16)
The Rise of the Object: Dispatches from the War on Form 234(8)
Jon Thompson
In Search of the Ordinary 242(20)
Gillick, Opie, Turnbull (Opie, Gillick) 258(4)
Mark Wilsher
Value Systems 262(15)
British British Sculpture Sculpture 270(7)
Keith Wilson
Artist Contributions
Appendices 277(22)
The Dissemination of Commemorative Statues of Queen Victoria 282(7)
Jennifer Powell
Selected Bibliography and Resources 289(10)
Ann Sproat
Endnotes 299(10)
Lenders to the Exhibition 309(1)
Photographic Acknowledgements 310(1)
Index 311
President's Foreword 7(1)
Preservation Partner's Statement 8(2)
Acknowledgements 10(2)
Curators' Preface 12(2)
British British Sculpture Sculpture 14(15)
Penelope Curtis
Catalogue 29(1)
Penelope Curtis
Monumentalising Life and Death 30(22)
Let There Be History: Epstein's BMA House Sculptures 36(10)
Sarah Crellin
The Cenotaph 46(6)
Catherine Morlarty
Theft by Finding 52(40)
Looking Around at Leisure: Sculptors and the British Museum 84(8)
Adrian Locke
Adam 92(14)
Stone, Sex and Empire: Direct Carving and `British' Sculpture 100(6)
Sarah Victoria Turner
The Establishment Figure 106(16)
Authority Figures 114(8)
Martina Droth
Ceramics and the Influence of Craft 122(24)
`Plastic Art in Its Most Abstract Essence': Pottery and Art in the Interwar Years 136(10)
Simon Ford
Hepworth and Moore 146(16)
The Centre of Modern Sculpture: Some Thoughts on Hepworth and Moore 152(10)
Arie Hartog
Environmental Construction 162(10)
On the Status of the Space Frame 166(6)
Jeffrey Steele
Early One Morning 172(16)
Anthony Caro, `Early One Morning' 178(10)
Alex Potts
The Persistence of British Landscape 188(38)
From Land Art to the Anthropocene 196(6)
Joy Sleeman
The Absence of a Mother Tongue 202(24)
Alastair Rider
Towards Sculpture as Image 226(16)
The Rise of the Object: Dispatches from the War on Form 234(8)
Jon Thompson
In Search of the Ordinary 242(20)
Gillick, Opie, Turnbull (Opie, Gillick) 258(4)
Mark Wilsher
Value Systems 262(15)
British British Sculpture Sculpture 270(7)
Keith Wilson
Artist Contributions
Appendices 277(22)
The Dissemination of Commemorative Statues of Queen Victoria 282(7)
Jennifer Powell
Selected Bibliography and Resources 289(10)
Ann Sproat
Endnotes 299(10)
Lenders to the Exhibition 309(1)
Photographic Acknowledgements 310(1)
Index 311
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