简介
Summary:
Publisher Summary 1
Although it is primarily concerned with such qualities as beauty and sublimity in works of art and in nature, and therefore is part of the thinking of humankind since there was a humankind, the term "aesthetics" was coined in the eighteenth century. However, the contributions here reflect a full sweep of thought from classic sources to modern theories and contemporary thinking on aesthetics and the philosophy of art. The 55 entries include the work of Plato, Aristotle, Platinus, St. Augustine, St. Bonaventure, the Third Earl of Shaftesbury, Hutcheson, Hume, Burke, Lessing, and Kant, with modern theorists such as Schiller, von Schelling, Hegel, Schopenhauer, Nietzsche, Tolstoy, Dewey, Heidegger, Adorno and Gadamer. Contemporary commentators are also well-represented, with Feagin and Meskin, Vacell, Danto, Dickie, Sibley, Mothersill, Nehamas, Carroll, Kivy and Devereaux. Suitable as an undergraduate text or even a professional reference. Annotation 漏2008 Book News, Inc., Portland, OR (booknews.com)
Publisher Summary 2
From Plato's Ionto works by contemporary philosophers, this anthology showcases classic texts to illuminate the development of philosophical thought about art and the aesthetic. This volume is the most comprehensive collection of readings on aesthetics and the philosophy of art currently available.
Brings together the most significant writings in aesthetics and philosophy of art from the past 2500 years
Each section includes a useful introductory essay which provides an overview of developments in the field
Broken down into three sections: Historical Sources, Modern Theories, and Contemporary Aesthetics and Philosophy of Art
Thorough, systematic, and flexible, including two alternative tables of contents (historical and topical); an ideal textbook and guide to the field
目录
Alternative Table of Contents p. ix
Preface and Acknowledgments p. xvi
Source Acknowledgments p. xvii
Part I Classic Sources
1 Introduction Paul Oskar Kristeller p. 3
2 Ion Plato p. 16
3 The Republic Plato p. 24
4 Symposium Plato p. 34
5 Poetics Aristotle p. 41
6 Ennead I, vi Plotinus p. 57
7 De Musica St. Augustine p. 64
8 On the Reduction of the Arts to Theology St. Bonaventure p. 72
9 Characteristics of Men, Manners, Opinions, Times p. 77
10 An Inquiry into the Original of Our Ideas of Beauty and Virtue Francis Hutcheson p. 87
11 Of the Standard of Taste David Hume p. 103
12 A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful Edmund Burke p. 113
13 Laocoon Gotthold Lessing p. 123
14 Critique of Judgement Immanuel Kant p. 131
Part II Modern Theories
15 Introduction Christopher Janaway p. 163
16 Letter of an Aesthetic Education of Man Friedrich Schiller p. 167
17 Philosophy of Art Friedrich Wilhelm Joseph von Schelling p. 170
18 The Philosophy of Fine Art Georg Wilhelm Friedrich Hegel p. 180
19 The World as Will and Representation Arthur Schopenhauer p. 193
20 The Beautiful in Music Eduard Hanslick p. 217
21 The Birth of Tragedy Friedrich Nietzsche p. 222
22 What is Art? Leo Tolstoy p. 233
23 "Psychical Distance" as a Factor in Art and an Aesthetic Principle Edward Bullough p. 243
24 Art Clive Bell p. 261
25 Aesthetics Benedetto Croce p. 270
26 The Principles of Art R. G. Collingwood p. 282
27 Art as Experience John Dewey p. 296
28 Feeling and Form Susanne Langer p. 317
29 The Work of Art in the Age of Mechanical Reproduction Walter Benjamin p. 327
30 The Origin of the Work of Art Martin Heidegger p. 344
31 Aesthetic Theory Theodor Adorno p. 358
32 Truth and Method Hans-Georg Gadamer p. 370
Part III Contemporary Aesthetics and Philosophy of Art
33 Introduction Susan L. Feagin and Aaron Meskin p. 391
34 Aesthetic Problems of Modern Philosophy Stanley Cavell p. 396
35 The Role of Theory in Aesthetics Morris Weitz p. 409
36 The Artworld Arthur Danto p. 417
37 What is Art? An Institutional Analysis George Dickie p. 426
38 When is Art? Nelson Goodman p. 438
39 Identifying Art Noel Carroll p. 445
40 The Myth of the Aesthetic Attitude George Dickie p. 455
41 Art and Its Objects Richard Wollheim p. 466
42 What a Musical Work Is Jerrold Levinson p. 479
43 Aesthetic Concepts Frank Sibley p. 494
44 Beauty Restored Mary Mothersill p. 509
45 Categories of Art Kendall Walton p. 521
46 Appreciation and the Natural Environment Allen Carlson p. 538
47 The Intentional Fallacy W. K. Wimsatt, Jr. and Monroe Beardsley p. 547
48 The Postulated Author: Critical Monism as a Regulative Ideal Alexander Nehamas p. 556
49 Art, Intention, and Conversation Noel Carroll p. 568
50 The Ethical Criticism of Art Berys Gaut p. 589
51 Expressive Properties of Art Guy Sircello p. 602
52 Style and Personality in the Literary Work Jenefer Robinson p. 616
53 Emotions in the Music Peter Kivy p. 628
54 Fearing Fictions Kendall Walton p. 637
55 Oppressive Texts, Resisting Readers, and the Gendered Spectator: The "New" Aesthetics Mary Devereaux p. 651
Index p. 664
Preface and Acknowledgments p. xvi
Source Acknowledgments p. xvii
Part I Classic Sources
1 Introduction Paul Oskar Kristeller p. 3
2 Ion Plato p. 16
3 The Republic Plato p. 24
4 Symposium Plato p. 34
5 Poetics Aristotle p. 41
6 Ennead I, vi Plotinus p. 57
7 De Musica St. Augustine p. 64
8 On the Reduction of the Arts to Theology St. Bonaventure p. 72
9 Characteristics of Men, Manners, Opinions, Times p. 77
10 An Inquiry into the Original of Our Ideas of Beauty and Virtue Francis Hutcheson p. 87
11 Of the Standard of Taste David Hume p. 103
12 A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful Edmund Burke p. 113
13 Laocoon Gotthold Lessing p. 123
14 Critique of Judgement Immanuel Kant p. 131
Part II Modern Theories
15 Introduction Christopher Janaway p. 163
16 Letter of an Aesthetic Education of Man Friedrich Schiller p. 167
17 Philosophy of Art Friedrich Wilhelm Joseph von Schelling p. 170
18 The Philosophy of Fine Art Georg Wilhelm Friedrich Hegel p. 180
19 The World as Will and Representation Arthur Schopenhauer p. 193
20 The Beautiful in Music Eduard Hanslick p. 217
21 The Birth of Tragedy Friedrich Nietzsche p. 222
22 What is Art? Leo Tolstoy p. 233
23 "Psychical Distance" as a Factor in Art and an Aesthetic Principle Edward Bullough p. 243
24 Art Clive Bell p. 261
25 Aesthetics Benedetto Croce p. 270
26 The Principles of Art R. G. Collingwood p. 282
27 Art as Experience John Dewey p. 296
28 Feeling and Form Susanne Langer p. 317
29 The Work of Art in the Age of Mechanical Reproduction Walter Benjamin p. 327
30 The Origin of the Work of Art Martin Heidegger p. 344
31 Aesthetic Theory Theodor Adorno p. 358
32 Truth and Method Hans-Georg Gadamer p. 370
Part III Contemporary Aesthetics and Philosophy of Art
33 Introduction Susan L. Feagin and Aaron Meskin p. 391
34 Aesthetic Problems of Modern Philosophy Stanley Cavell p. 396
35 The Role of Theory in Aesthetics Morris Weitz p. 409
36 The Artworld Arthur Danto p. 417
37 What is Art? An Institutional Analysis George Dickie p. 426
38 When is Art? Nelson Goodman p. 438
39 Identifying Art Noel Carroll p. 445
40 The Myth of the Aesthetic Attitude George Dickie p. 455
41 Art and Its Objects Richard Wollheim p. 466
42 What a Musical Work Is Jerrold Levinson p. 479
43 Aesthetic Concepts Frank Sibley p. 494
44 Beauty Restored Mary Mothersill p. 509
45 Categories of Art Kendall Walton p. 521
46 Appreciation and the Natural Environment Allen Carlson p. 538
47 The Intentional Fallacy W. K. Wimsatt, Jr. and Monroe Beardsley p. 547
48 The Postulated Author: Critical Monism as a Regulative Ideal Alexander Nehamas p. 556
49 Art, Intention, and Conversation Noel Carroll p. 568
50 The Ethical Criticism of Art Berys Gaut p. 589
51 Expressive Properties of Art Guy Sircello p. 602
52 Style and Personality in the Literary Work Jenefer Robinson p. 616
53 Emotions in the Music Peter Kivy p. 628
54 Fearing Fictions Kendall Walton p. 637
55 Oppressive Texts, Resisting Readers, and the Gendered Spectator: The "New" Aesthetics Mary Devereaux p. 651
Index p. 664
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