简介
"In Event-Cities 3, Bernard Tschumi explores the complex and productive triangulation of architectural concept, context, and content. There is no architecture without a concept, an overriding idea that gives coherence and identity to a building. But there is also no architecture without context - historical, geographical, cultural - or content - what happens inside.".
"Through documentation of recent projects - including the New Acropolis Museum in Athens, a campus Athletic Center in Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing - Tschumi examines different ways that concept, context, and content relate to each other in his work. Through examples, he demonstrates that the relationship of concept, context, and content may be one of indifference, reciprocity, or conflict. Above all, he suggests that the activity of architecture is less about the making of forms than the investigation and materialization of concepts."--BOOK JACKET.
目录
Introduction: Concept, Context, Content p. 11
New York, Urban Glass House, 2000: Vision Glass p. 16
A Tactical Indifference
Angouleme, Exhibition Center, 2000: Concept Decontextualized p. 30
Geneva, Vacheron Constantin Headquarters, 2001--2004: Manufacturing Time p. 44
Strasbourg, Concert Hall, 2003: Megaspan p. 84
B Reciprocity and Conflict
Pittsburgh, Carnegie Science Center, 2000: Phagocyte p. 112
Limoges, Concert Hall, 2003--: Concept Recontextualized p. 138
Vendee, International Sports Center, 2001: Double Content p. 172
C Contextualizing Concept
Rome, Italian Space Agency, 2000: Fractal Cantilever p. 192
Antwerp, Museum aan de Stroom, 2000: Fractal Matrix p. 212
Sao Paulo, Museum of Contemporary Art, 2001: A Vertical Museum Sketchbook p. 236
Troy, Electronic Media and Performing Arts Center, 2001: Double Envelope p. 306
D Conceptualizing Context
New York, Museum for African Art, Version 1, 2000--2002: Wood Curves, Glass Box p. 334
New York, Museum for African Art, Version 2, 2003--2004: The Tower versus the Museum p. 368
Cincinnati, Athletic Center, 2001--: Contextual Free Form p. 390
Athens, New Acropolis Museum, 2000--: Paradoxes, Paraboxes p. 428
E Context Becoming Concept
Nice, Sophia-Antipolis Campus, 2004: Camouflage p. 478
F Large Scale: Concepts Becoming Contexts
Paris, Expo 2004, 2001: Virtual City of Images p. 498
Toronto, Downsview Park, 2000: Natural Artifice p. 538
New York, Tri-Towers of Babel: Questioning Ground Zero, 2002: Whose Context? p. 552
Beijing, Factory 798, 2003--: Superposition p. 582
Project Teams p. 621
Project List p. 624
Bibliography p. 628
New York, Urban Glass House, 2000: Vision Glass p. 16
A Tactical Indifference
Angouleme, Exhibition Center, 2000: Concept Decontextualized p. 30
Geneva, Vacheron Constantin Headquarters, 2001--2004: Manufacturing Time p. 44
Strasbourg, Concert Hall, 2003: Megaspan p. 84
B Reciprocity and Conflict
Pittsburgh, Carnegie Science Center, 2000: Phagocyte p. 112
Limoges, Concert Hall, 2003--: Concept Recontextualized p. 138
Vendee, International Sports Center, 2001: Double Content p. 172
C Contextualizing Concept
Rome, Italian Space Agency, 2000: Fractal Cantilever p. 192
Antwerp, Museum aan de Stroom, 2000: Fractal Matrix p. 212
Sao Paulo, Museum of Contemporary Art, 2001: A Vertical Museum Sketchbook p. 236
Troy, Electronic Media and Performing Arts Center, 2001: Double Envelope p. 306
D Conceptualizing Context
New York, Museum for African Art, Version 1, 2000--2002: Wood Curves, Glass Box p. 334
New York, Museum for African Art, Version 2, 2003--2004: The Tower versus the Museum p. 368
Cincinnati, Athletic Center, 2001--: Contextual Free Form p. 390
Athens, New Acropolis Museum, 2000--: Paradoxes, Paraboxes p. 428
E Context Becoming Concept
Nice, Sophia-Antipolis Campus, 2004: Camouflage p. 478
F Large Scale: Concepts Becoming Contexts
Paris, Expo 2004, 2001: Virtual City of Images p. 498
Toronto, Downsview Park, 2000: Natural Artifice p. 538
New York, Tri-Towers of Babel: Questioning Ground Zero, 2002: Whose Context? p. 552
Beijing, Factory 798, 2003--: Superposition p. 582
Project Teams p. 621
Project List p. 624
Bibliography p. 628
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