简介
When it comes to writing a text for non-music majors, Kamien knows the score. With the care you would expect from the concert pianist he is, Kamien introduces the musical elements and repertoire thoroughly and clearly, without assumptions of prior knowledge but also without condescension. As a teacher at Queens (NY) College, Kamien developed the concept of the Listening Outline, which he incorporated into the first edition of "Music: An Appreciation" and which he has refined and enhanced in every subsequent edition. This is a text with which students of all levels and backgrounds can feel comfortable.
目录
Preface
Elements
Sound: Pitch, Dynamics, and Tone Color Pitch: Highnessor Lowness of Sound Dynamics Tone Color Listening Outlines, Vocal Music Guides, and the Properties of Sound Lohengrin, Prelude to Act III
listening outline C-Jam Blues
and His Famous Orchestra
Listening Outline
Performing Media: Voices and Instruments
Voices Musical Instruments
String Instruments Woodwind Instruments
Brass Instruments
Percussion Instruments
Keyboard Instruments
Electronic Instruments
The Young Person's Guide to the Orchestra, Op.34
Listening Outline
Rhythm Beat Meter Accent and Syncopation Tempo
Music Notation Notating Pitch Notating Rhythm Notating Silence (Rests) Notating Meter The Score
Melody
Harmony Consonance and Dissonance
The Triad Broken Chords (Arpegios)
Key The Major Scale
The Minor Scale
The Key Signature
The Chromatic Scale Modulation: Change of Key Tonic Key
Musical Texture Monophonic Texture
Polyphonic Texture Homophonic
Texture Changes of Texture Farandole from L'Arlesienne (The Woman from Arles) Suite No.2, by
Listening Outline
Musical Form Techniques
That Create Musical Form Repetition Contrast
Variation Types of Musical Form Three-Part (Ternary)
Form: A B A Dance of the Reed Pipes from Nutcracker Suite
listening outline
Two-Part (Binary) Form: A B Forlane from Suite No.1 in C Major for Orchestra
Listening Outline Listening for Form
Musical Style
The Middle Ages And Renaissance
Music In The Middle Ages (450-1450)
Gregorian Chant The Church Modes Alleluia: Vidimus stellam (We have seen his star)
Vocal Music Guide O Successores (You successors)
Vocal Music Guide
Secular Music in the Middle Ages Estampie
The Development of Polyphony: Organum School of Notre Dame: Measured Rhythm Fourteenth-Century
Music: The "New Art" in France Guilaume de Machaut
Notre Dame Mass: Agnus Dei
Vocal Music Guide
Music In The Renaissance (1450-1600)
Characteristics of Renaissance Music Word and Music Texture
Rhythm and Melody Sacred Music in the Renaissance
Josquin Desprez and the Renaissance Motet Ave Maria...virgo serena (Hail Mary...serene virgin)
Vocal Music Guide
Palestrina and the Renaissance Mass
Pope Marcellus Mass: Kyrie Secular Music in the Renaissance
Vocal Music: The Renaissance Madrigal As Vesta Was Descending
Vocal Music Guide
Instrumental Music Passamezzo and Galiard
from Terpsichore
The Baroque Period
Baroque Music (1600-1750) Characteristics of Baroque Music Unity of Mood Rhythm Melody Dynamics Texture Chords and the Basso Continuo (Figured Bass) Words and Music The Baroque Orchestra Baroque Forms
Music In Baroque Society
The Concerto Grosso And Ritornello Form Brandenburg Concerto No.5 in D Major
Bach: First Movement
Listening Outline
The Fugue Organ Fugue in G Minor (Little Fugue)
Listening Outline
The Elements Of Opera
Opera In The Baroque Era
Claudio Monteverdi Orfeo (Orpheus)<
Elements
Sound: Pitch, Dynamics, and Tone Color Pitch: Highnessor Lowness of Sound Dynamics Tone Color Listening Outlines, Vocal Music Guides, and the Properties of Sound Lohengrin, Prelude to Act III
listening outline C-Jam Blues
and His Famous Orchestra
Listening Outline
Performing Media: Voices and Instruments
Voices Musical Instruments
String Instruments Woodwind Instruments
Brass Instruments
Percussion Instruments
Keyboard Instruments
Electronic Instruments
The Young Person's Guide to the Orchestra, Op.34
Listening Outline
Rhythm Beat Meter Accent and Syncopation Tempo
Music Notation Notating Pitch Notating Rhythm Notating Silence (Rests) Notating Meter The Score
Melody
Harmony Consonance and Dissonance
The Triad Broken Chords (Arpegios)
Key The Major Scale
The Minor Scale
The Key Signature
The Chromatic Scale Modulation: Change of Key Tonic Key
Musical Texture Monophonic Texture
Polyphonic Texture Homophonic
Texture Changes of Texture Farandole from L'Arlesienne (The Woman from Arles) Suite No.2, by
Listening Outline
Musical Form Techniques
That Create Musical Form Repetition Contrast
Variation Types of Musical Form Three-Part (Ternary)
Form: A B A Dance of the Reed Pipes from Nutcracker Suite
listening outline
Two-Part (Binary) Form: A B Forlane from Suite No.1 in C Major for Orchestra
Listening Outline Listening for Form
Musical Style
The Middle Ages And Renaissance
Music In The Middle Ages (450-1450)
Gregorian Chant The Church Modes Alleluia: Vidimus stellam (We have seen his star)
Vocal Music Guide O Successores (You successors)
Vocal Music Guide
Secular Music in the Middle Ages Estampie
The Development of Polyphony: Organum School of Notre Dame: Measured Rhythm Fourteenth-Century
Music: The "New Art" in France Guilaume de Machaut
Notre Dame Mass: Agnus Dei
Vocal Music Guide
Music In The Renaissance (1450-1600)
Characteristics of Renaissance Music Word and Music Texture
Rhythm and Melody Sacred Music in the Renaissance
Josquin Desprez and the Renaissance Motet Ave Maria...virgo serena (Hail Mary...serene virgin)
Vocal Music Guide
Palestrina and the Renaissance Mass
Pope Marcellus Mass: Kyrie Secular Music in the Renaissance
Vocal Music: The Renaissance Madrigal As Vesta Was Descending
Vocal Music Guide
Instrumental Music Passamezzo and Galiard
from Terpsichore
The Baroque Period
Baroque Music (1600-1750) Characteristics of Baroque Music Unity of Mood Rhythm Melody Dynamics Texture Chords and the Basso Continuo (Figured Bass) Words and Music The Baroque Orchestra Baroque Forms
Music In Baroque Society
The Concerto Grosso And Ritornello Form Brandenburg Concerto No.5 in D Major
Bach: First Movement
Listening Outline
The Fugue Organ Fugue in G Minor (Little Fugue)
Listening Outline
The Elements Of Opera
Opera In The Baroque Era
Claudio Monteverdi Orfeo (Orpheus)<
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