简介
Summary:
Publisher Summary 1
This beginner's guide to audio engineering presents a clear overview of the science and art of sound recording and provides readers with foundational information for getting started in audio engineering. Beginning with a discussion of sound and general recording principles, the work covers topics such as microphones, mixing consoles, signal processors, and signal flow, as well as studio session procedures and optimization. Chapters include illustrations, tips, and checklists, and the text includes an additional section with questions and answers from industry professionals. Dittmar is a professional recording engineer and a professor of commercial music management at Austin Community College. Focal Press is an imprint of Elsevier. Annotation 漏2012 Book News, Inc., Portland, OR (booknews.com)
Publisher Summary 2
Audio Engineering 101is a real world guide for starting out in the recording industry. If you have the dream, the ideas, the music and the creativity but don't know where to start, then this book is for you!Filled with practical advice on how to navigate the recording world, from an author with first-hand, real-life experience, Audio Engineering 101will help you succeed in the exciting, but tough and confusing, music industry. Covering all you need to know about the recording process, from the characteristics of sound to a guide to microphones to analog versus digital recording. Dittmar covers all the basics- equipment, studio acoustics, the principals of EQ/ compression, music examples to work from and when and how to use compression. FAQ's from professionals give you real insight into the reality of life on the industry. * Easy to understand. A real beginner's music production guide. No experience needed! * Covers aspects of audio often overlooked: internships, people skills, jobs, and the art side * Geared towards anyone wanting to do Music Production either as a hobby or potential career path *Gives you insight into the process of music production by unraveling the mystery behind producing records * www.AudioEngineering101.com provides audio and video examples to complement the text, so you can hear and see what is being discussed
目录
Table Of Contents:
Acknowledgments viii
About The Author ix
Preface x
Chapter 1 What Is Sound? Seven Important Characteristics 1(14)
Chapter 2 How to Listen. Remember When Your Parents Told You to Listen? Well, You Should Have Listened! 15(12)
Chapter 3 EQ Points of Interest. Frequencies Made Easy 27(10)
Chapter 4 People Skills. Recording Isn't All Technical! 37(10)
Chapter 5 Microphone Guide and Their Uses. Hey, Is This Thing On? 47(44)
Chapter 6 Mixing Consoles. So Many Knobs, So Little Time 91(18)
Chapter 7 Signal Processors. Toys You Could Play with for Days! 109(12)
Chapter 8 Signal Flow. The Keys to Directing Audio Traffic 121(12)
Chapter 9 Studio Session Procedures: How a Recording Session Happens and in What Order 133(16)
Chapter 10 Basic Acoustics...How to Make Your Recording Space Sound Better 149(12)
Chapter 11 The History of Audio: It Helps to Know Where You Came From 161(16)
Chapter 12 Now That I Am Dangerous, Should I Get An Internship? 177(10)
Chapter 13 Jobs. What Can I Do With These Skills? 187(12)
Chapter 14 FAQ's. Hear It from the Pros 199(26)
Appendix A 225(2)
Appendix B 227(8)
Glossary 235(4)
Index 239(6)
Credits 245
Acknowledgments viii
About The Author ix
Preface x
Chapter 1 What Is Sound? Seven Important Characteristics 1(14)
Chapter 2 How to Listen. Remember When Your Parents Told You to Listen? Well, You Should Have Listened! 15(12)
Chapter 3 EQ Points of Interest. Frequencies Made Easy 27(10)
Chapter 4 People Skills. Recording Isn't All Technical! 37(10)
Chapter 5 Microphone Guide and Their Uses. Hey, Is This Thing On? 47(44)
Chapter 6 Mixing Consoles. So Many Knobs, So Little Time 91(18)
Chapter 7 Signal Processors. Toys You Could Play with for Days! 109(12)
Chapter 8 Signal Flow. The Keys to Directing Audio Traffic 121(12)
Chapter 9 Studio Session Procedures: How a Recording Session Happens and in What Order 133(16)
Chapter 10 Basic Acoustics...How to Make Your Recording Space Sound Better 149(12)
Chapter 11 The History of Audio: It Helps to Know Where You Came From 161(16)
Chapter 12 Now That I Am Dangerous, Should I Get An Internship? 177(10)
Chapter 13 Jobs. What Can I Do With These Skills? 187(12)
Chapter 14 FAQ's. Hear It from the Pros 199(26)
Appendix A 225(2)
Appendix B 227(8)
Glossary 235(4)
Index 239(6)
Credits 245
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