简介
Rey Chow is arguably one of the most prominent intellectuals working in the humanities today. Characteristically confronting both entrenched and emergent issues in the interlocking fields of literature, film and visual studies, sexuality and gender, postcolonialism, ethnicity, and cross-cultural politics, her works produce surprising connections among divergent topics at the same time as they compel us to think through the ethical and political ramifications of our academic, epistemic, and cultural practices. This anthology - the first to collect key moments in Chow's engaging thought - provides readers with an ideal introduction to some of her most forceful theoretical explorations. Organized into two sections, each of which begins with a brief statement designed to establish linkages among various discursive fields through Chow's writings, the anthology also contains an extensive Editor's Introduction, which situates Chow's work in the context of contemporary critical debates. For all those pursuing transnational cultural theory and cultural studies, this book is an essential resource. Praise for Rey Chow "[Rey Chow is] methodologically situated in the contentious spaces between critical theory and cultural studies, and always attending to the implications of ethnicity."& mdash; Social Semiotics "Rich and powerful work that provides both a dazzling synthesis of contemporary cultural theory and at the same time an exemplary critique of Chinese cinema."& mdash;China Information "Should be read by all who are concerned with the future of human rights, liberalism, multiculturalism, identity politics, and feminism."& mdash;Dorothy Ko "Wide-ranging, theoretically rich, and provocative... completely restructures the problem of ethnicity."& mdash;Fredric Jameson
目录
Editor's Introduction p. ix
Acknowledgments p. xxv
Modernity and Postcolonial Ethnicity
The Age of the World Target: Atomic Bombs, Alterity, Area Studies p. 2
Seeing Is Destroying p. 4
The World Becomes Virtual p. 9
The Orbit of Self and Other p. 11
From Atomic Bombs to Area Studies p. 14
The Postcolonial Difference: Lessons in Cultural Legitimation p. 20
From Writing Diaspora: Introduction: Leading Questions p. 30
Orientalism and East Asia: The Persistence of a Scholarly Tradition p. 31
Sanctifying the 么Subaltern枚: The Productivity of White Guilt p. 37
Tactics of Intervention p. 41
The Chinese Lessen p. 44
Brushes with the-Other-as-Face: Stereotyping and Cross-Ethnic Representation p. 48
The Inevitability of Stereotypes in Cross-Ethnic Representation p. 49
The Politics of Admittance: Female Sexual Agency, Miscegenation, and the Formation of Community in Frantz Fanon p. 56
Race and the Problem of Admittance p. 59
Community Formation and Sexual Difference: A Double Theoretical Discourse p. 61
What Does the Woman of Color Want? p. 64
The Force of Miscegenation p. 68
Community Building Among Theorists of Postcoloniality p. 72
When Whiteness Feminizes: Some Consequences of a Supplementary Logic p. 76
Is 么Woman枚 a Woman, a Man, or What? The Unstable Status of Woman if Contemporary Cultural Criticism p. 77
Filmic Visuality and Transcultural Politics p. 82
Film and Cultural Identity p. 84
Seeing Modern China: Toward a Theory of Ethnic Spectatorship p. 92
The Dream of a Butterfly p. 124
么East Is East and West Is West, and Ne'er the Twain Shall Meet枚 p. 127
么The Beauty…of Her Death. It's a…Pure Sacrifice枚 p. 131
The Force of Butterfly; or, the 么Oriental Woman枚 as Phallus p. 134
么Under the Robes. Beneath Everything, It Was Always Me枚 p. 137
么It's Not the Story; Its the Music枚 p. 138
Madame Butterfly, C'est Moi p. 140
Coda: New Questions for Cultural Difference and Identity p. 145
Film as Ethnography; or, Translation Between Cultures in the Postcolonial World p. 148
The Primacy of To-Be-Looked-At-ness p. 152
Translation and the Problem of Origins p. 154
Translation as 么Cultural Resistance枚 p. 160
The 么Third Term枚 p. 163
Weakness, Fluidity, and the Fabling of the World p. 165
The Light of the Arcade p. 167
A Filmic Staging of Postwar Geotemporal Politics: On Akira Regrets for Our Youth, Sixty Years Later p. 172
Coda p. 179
From Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility p. 180
Introduction p. 181
Highlights of a Western Discipline p. 182
Image, Time, Identity: Trajectories of Becoming Visible p. 187
Defining the Sentimental in Relation to Contemporary Chinese Cinema p. 191
The Political Economy of Vision in Happy Times and Not One Less; or, a Different Type of Migration p. 196
Altruistic Fictions in China's Happy Times p. 201
How to Add Back a Subtracted Child? The Transmutation and Abjection of Human Labor in Not One Less p. 206
Notes p. 215
Index p. 269
Acknowledgments p. xxv
Modernity and Postcolonial Ethnicity
The Age of the World Target: Atomic Bombs, Alterity, Area Studies p. 2
Seeing Is Destroying p. 4
The World Becomes Virtual p. 9
The Orbit of Self and Other p. 11
From Atomic Bombs to Area Studies p. 14
The Postcolonial Difference: Lessons in Cultural Legitimation p. 20
From Writing Diaspora: Introduction: Leading Questions p. 30
Orientalism and East Asia: The Persistence of a Scholarly Tradition p. 31
Sanctifying the 么Subaltern枚: The Productivity of White Guilt p. 37
Tactics of Intervention p. 41
The Chinese Lessen p. 44
Brushes with the-Other-as-Face: Stereotyping and Cross-Ethnic Representation p. 48
The Inevitability of Stereotypes in Cross-Ethnic Representation p. 49
The Politics of Admittance: Female Sexual Agency, Miscegenation, and the Formation of Community in Frantz Fanon p. 56
Race and the Problem of Admittance p. 59
Community Formation and Sexual Difference: A Double Theoretical Discourse p. 61
What Does the Woman of Color Want? p. 64
The Force of Miscegenation p. 68
Community Building Among Theorists of Postcoloniality p. 72
When Whiteness Feminizes: Some Consequences of a Supplementary Logic p. 76
Is 么Woman枚 a Woman, a Man, or What? The Unstable Status of Woman if Contemporary Cultural Criticism p. 77
Filmic Visuality and Transcultural Politics p. 82
Film and Cultural Identity p. 84
Seeing Modern China: Toward a Theory of Ethnic Spectatorship p. 92
The Dream of a Butterfly p. 124
么East Is East and West Is West, and Ne'er the Twain Shall Meet枚 p. 127
么The Beauty…of Her Death. It's a…Pure Sacrifice枚 p. 131
The Force of Butterfly; or, the 么Oriental Woman枚 as Phallus p. 134
么Under the Robes. Beneath Everything, It Was Always Me枚 p. 137
么It's Not the Story; Its the Music枚 p. 138
Madame Butterfly, C'est Moi p. 140
Coda: New Questions for Cultural Difference and Identity p. 145
Film as Ethnography; or, Translation Between Cultures in the Postcolonial World p. 148
The Primacy of To-Be-Looked-At-ness p. 152
Translation and the Problem of Origins p. 154
Translation as 么Cultural Resistance枚 p. 160
The 么Third Term枚 p. 163
Weakness, Fluidity, and the Fabling of the World p. 165
The Light of the Arcade p. 167
A Filmic Staging of Postwar Geotemporal Politics: On Akira Regrets for Our Youth, Sixty Years Later p. 172
Coda p. 179
From Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility p. 180
Introduction p. 181
Highlights of a Western Discipline p. 182
Image, Time, Identity: Trajectories of Becoming Visible p. 187
Defining the Sentimental in Relation to Contemporary Chinese Cinema p. 191
The Political Economy of Vision in Happy Times and Not One Less; or, a Different Type of Migration p. 196
Altruistic Fictions in China's Happy Times p. 201
How to Add Back a Subtracted Child? The Transmutation and Abjection of Human Labor in Not One Less p. 206
Notes p. 215
Index p. 269
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