简介
Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation.
The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dalí's The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Rancière, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.
目录
Table Of Contents:
Preface ix
Introduction: Art and Philosophy 1(20)
1 Critique of Judgment 21(19)
Immanuel Kant
2 Introductory Lectures on Aesthetics 40(20)
Georg Wilhelm Friedrich Hegel
3 60(14)
How the "True World" Finally Became a Fable: The History of an Error
The Will to Power as Art
Friedrich Nietzsche
4 Beyond the Pleasure Principle Leonardo da Vinci and a Memory of His Childhood 74(22)
Sigmund Freud
5 The Lugubrious Game 96(6)
Georges Bataille
6 A Small History of Photography 102(16)
Walter Benjamin
7 118(31)
Nietzsche's Overturning of Platonism
The Origin of the Work of Art
Martin Heidegger
8 149(19)
The Mirror Stage as Formative of the Function of the I
Of the Gaze as Object Petit a
Jacques Lacan
9 Las Meninas 168(10)
Michel Foucault
10 Society 178(6)
Theodor Adomo
11 The Work of Art and Fantasy 184(11)
Sarah Kofman
12 Camera Lucida: Reflections on Photography 195(10)
Roland Berthas
13 205(12)
Giotto's Joy
Holbein's Dead Christ
Julia Kristeva
14 Spurs: Nietzsche's Styles 217(11)
Jacques Derrida
15 Hysteria 228(9)
Gilles Deleuze
16 Answering the Question: What Is Postmodernism? 237(13)
Jean-Fran莽ois Lyotard
17 Privation Is Like a Face 250(9)
Giorgio Agamben
18 The Vestige of Art 259(18)
Jean-Luc Nancy
19 Art and Philosophy 277(16)
Alain Badiou
20 The Janus-Face of Politicized Art 293(10)
Jacques Ranci猫re
Notes 303(34)
Bibliography 337(8)
Index 345
Preface ix
Introduction: Art and Philosophy 1(20)
1 Critique of Judgment 21(19)
Immanuel Kant
2 Introductory Lectures on Aesthetics 40(20)
Georg Wilhelm Friedrich Hegel
3 60(14)
How the "True World" Finally Became a Fable: The History of an Error
The Will to Power as Art
Friedrich Nietzsche
4 Beyond the Pleasure Principle Leonardo da Vinci and a Memory of His Childhood 74(22)
Sigmund Freud
5 The Lugubrious Game 96(6)
Georges Bataille
6 A Small History of Photography 102(16)
Walter Benjamin
7 118(31)
Nietzsche's Overturning of Platonism
The Origin of the Work of Art
Martin Heidegger
8 149(19)
The Mirror Stage as Formative of the Function of the I
Of the Gaze as Object Petit a
Jacques Lacan
9 Las Meninas 168(10)
Michel Foucault
10 Society 178(6)
Theodor Adomo
11 The Work of Art and Fantasy 184(11)
Sarah Kofman
12 Camera Lucida: Reflections on Photography 195(10)
Roland Berthas
13 205(12)
Giotto's Joy
Holbein's Dead Christ
Julia Kristeva
14 Spurs: Nietzsche's Styles 217(11)
Jacques Derrida
15 Hysteria 228(9)
Gilles Deleuze
16 Answering the Question: What Is Postmodernism? 237(13)
Jean-Fran莽ois Lyotard
17 Privation Is Like a Face 250(9)
Giorgio Agamben
18 The Vestige of Art 259(18)
Jean-Luc Nancy
19 Art and Philosophy 277(16)
Alain Badiou
20 The Janus-Face of Politicized Art 293(10)
Jacques Ranci猫re
Notes 303(34)
Bibliography 337(8)
Index 345
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