简介
This title explores key topics in the interpretation of the tragedies of Euripides. Taking account of the Greek poetic tradition and of the social and political structures of the poet鈥檚 world, it investigates their relation to the Greek poetic tradition and to the social and political structures of their original setting.
目录
Preface p. vii
Abbreviations and reference system p. xi
Approaching Euripides p. 1
Pre-modern reception p. 1
From the Renaissance to German Classicism p. 9
The nineteenth and twentieth centuries p. 12
Current debates: tragedy, democracy, and teaching p. 15
The approaches and scope of this book p. 25
Appendix: a brief guide to Euripides' plays p. 28
Problems of genre p. 44
Genre: expectations, variety, and change p. 44
Tragedy, satyr-play, and the comic p. 54
Generic labels and their problems p. 58
Dramatic structures: variety and unity p. 63
Open form and structural strategies p. 64
Double structures p. 68
Strategies of juxtaposition p. 77
A final example: Orestes p. 83
Open structures and the challenge of tragedy p. 85
The chorus p. 88
The chorus and the audience p. 89
Limits on identification and authority p. 98
The chorus and knowledge p. 106
The chorus and moral and interpretive authority p. 114
Myth in the choral odes p. 122
Connection and relevance p. 126
Connection and relevance of the parodos p. 127
Connection and relevance in the stasima p. 130
"Not as in Euripides but as in Sophocles" p. 145
The gods p. 153
Preliminary considerations on Greek religion and the divine p. 154
The drama of human belief p. 161
Criticism and speculation p. 169
Seen gods: prologue gods p. 174
Seen gods: epilogue gods p. 181
Unseen gods: inference and uncertainty p. 195
Conclusion p. 205
Rhetoric and character p. 207
Rhetoric and its context p. 208
Ambivalence about rhetoric and the modern p. 211
Rhetoric, agon, and character p. 222
Hippolytus and Medea: expressing world-views p. 222
Alcestis and Hecuba: shaping the self p. 227
Iphigenia in Aulis and Orestes: instability and self-delusion p. 234
Women p. 246
Indoors and outdoors p. 248
Family and city and gendered motivations p. 254
Women, fame, and courage p. 261
Misogynistic speech p. 271
Euripidean males and the limits of autonomy p. 280
Unmarried young males p. 285
Old men p. 292
Mature males p. 297
The deficient hero p. 304
Conclusion p. 307
Bibliography p. 313
Index of names and topics p. 334
Index of passages cited p. 346
Abbreviations and reference system p. xi
Approaching Euripides p. 1
Pre-modern reception p. 1
From the Renaissance to German Classicism p. 9
The nineteenth and twentieth centuries p. 12
Current debates: tragedy, democracy, and teaching p. 15
The approaches and scope of this book p. 25
Appendix: a brief guide to Euripides' plays p. 28
Problems of genre p. 44
Genre: expectations, variety, and change p. 44
Tragedy, satyr-play, and the comic p. 54
Generic labels and their problems p. 58
Dramatic structures: variety and unity p. 63
Open form and structural strategies p. 64
Double structures p. 68
Strategies of juxtaposition p. 77
A final example: Orestes p. 83
Open structures and the challenge of tragedy p. 85
The chorus p. 88
The chorus and the audience p. 89
Limits on identification and authority p. 98
The chorus and knowledge p. 106
The chorus and moral and interpretive authority p. 114
Myth in the choral odes p. 122
Connection and relevance p. 126
Connection and relevance of the parodos p. 127
Connection and relevance in the stasima p. 130
"Not as in Euripides but as in Sophocles" p. 145
The gods p. 153
Preliminary considerations on Greek religion and the divine p. 154
The drama of human belief p. 161
Criticism and speculation p. 169
Seen gods: prologue gods p. 174
Seen gods: epilogue gods p. 181
Unseen gods: inference and uncertainty p. 195
Conclusion p. 205
Rhetoric and character p. 207
Rhetoric and its context p. 208
Ambivalence about rhetoric and the modern p. 211
Rhetoric, agon, and character p. 222
Hippolytus and Medea: expressing world-views p. 222
Alcestis and Hecuba: shaping the self p. 227
Iphigenia in Aulis and Orestes: instability and self-delusion p. 234
Women p. 246
Indoors and outdoors p. 248
Family and city and gendered motivations p. 254
Women, fame, and courage p. 261
Misogynistic speech p. 271
Euripidean males and the limits of autonomy p. 280
Unmarried young males p. 285
Old men p. 292
Mature males p. 297
The deficient hero p. 304
Conclusion p. 307
Bibliography p. 313
Index of names and topics p. 334
Index of passages cited p. 346
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