简介
Summary:
Publisher Summary 1
Wiseman (French, U. of Durham) looks at the many ways French anthropologist Claude L茅vi-Strauss (b. 1908) investigated the nature of the aesthetic object, and how his thoughts can contribute to contemporary aesthetic theory. His perspectives include art and the logic of sensible qualities, the anthropologist as art critic, and from myth to music. Annotation 漏2008 Book News, Inc., Portland, OR (booknews.com)
Publisher Summary 2
A wide-ranging and original study of Claude L茅vi-Strauss's aesthetic thought.
Publisher Summary 3
In a wide-ranging and original study of Claude L茅vi-Strauss's aesthetic thought, Boris Wiseman demonstrates not only its centrality within his oeuvre but also the importance of Levi-Strauss for contemporary aesthetic enquiry. Reconstructing the internal logic of L茅vi-Strauss's thinking on aesthetics, and showing how anthropological and aesthetic ideas intertwine at the most elemental levels in the elaboration of his system of thought, Wiseman demonstrates that L茅vi-Strauss's aesthetic theory forms an integral part of his approach to Amerindian masks, body decoration and mythology. He reveals the significance of L茅vi-Strauss's anthropological analysis of an 'untamed' mode of thinking (pens茅e sauvage) at work in totemism, classification and myth-making for his conception of art and aesthetic experience. In this way, structural anthropology is shown to lead to ethnoaesthetics. L茅vi-Strauss, Anthropology and Aesthetics adopts a broad-ranging approach that combines the different perspectives of anthropology, philosophy, aesthetic theory and literary criticism into an unusual and imaginative whole.
目录
Cover 1
Title 7
Copyright 8
Dedication 9
Contents 11
List of illustrations 12
Acknowledgements 13
Introduction: ethno-aesthetics 15
AESTHETICS AND THE AN THROPOLOGY OF ART 18
PERFORMING THE BODY 25
ARTISTS , SHAMANS AND PSYCHOPATHS 31
WHATISETHNO - AESTHETICS ? 37
1 The reconciliation 47
THE WORLD IN A GRAIN OF SAND 49
THE TOTALISING FUNCTION 51
STRUCTURALISM AND TO TALISATION 57
NUPTIALS 66
2 Art and the logic of sensible qualities 72
\u2018PRIMITIVE\u2019 SCIENCE AND AESTHETICS 73
THE GENEALOGY OF ART : TWO PATHS 77
PHILOSOPHICAL AESTHETICS: THE LE麓VI-STRAUSSIAN TWIST 79
ANTHROPOLOGY AS AESTHETICS 86
PORTRAIT OF THE ARTIST AS A BRICOLEUR 89
MIMESIS IN A STRUCTURALIST PERSPECTIVE 90
3 The work of art as a system of signs 94
HOW SIGNSSIGNIFY 94
THE SENSIBLE AND THE IN TELLIGIBLE 107
LE麓VI-STRAUSS, SARTRE AND THE CREATIVE IMAGINATION 110
4 Structuralism, Symbolist poetics and abstract art 114
CORRESPONDANCES 115
SYMBOLISM AS EXPRESSION 117
A TRAIN JOURNEY 123
SYNAESTHESIA 126
STRUCTURALISM AND ABSTRACT ART 127
5 The anthropologist as art critic 133
THEART OF THE SIGNIFIER: \u2018PRIMITIVE\u2019 ART 134
CUBISM AND ABSTRACT ART 137
REPRESENTATION AS RECONSTRUCTION 140
IMPRESSIONISM 144
BEYOND THE EYE: STRUCTURAL REPRESENTATION 145
6 Nature, culture, chance 149
ART AND THE BODY 150
THE REFORMATION OF NATURE 156
FROM CADUVEO BODY PAINTING TO THE READYMADE 163
PAINTING, MYTH, MUSIC 173
7 From myth to music 181
MYTHICAL THINKING 186
FROM MYTH TO ART 193
MYTH AND MUSIC 204
8 Le麓vi-Strauss\u2019s mytho-poem 210
THE ACT OF INTERPRETATION AND THE STRUCTURAL UNCONSCIOUS 213
THE MIRROR OF MYTH 220
Conclusion: between concept and metaphor 231
References 244
Index 255
Title 7
Copyright 8
Dedication 9
Contents 11
List of illustrations 12
Acknowledgements 13
Introduction: ethno-aesthetics 15
AESTHETICS AND THE AN THROPOLOGY OF ART 18
PERFORMING THE BODY 25
ARTISTS , SHAMANS AND PSYCHOPATHS 31
WHATISETHNO - AESTHETICS ? 37
1 The reconciliation 47
THE WORLD IN A GRAIN OF SAND 49
THE TOTALISING FUNCTION 51
STRUCTURALISM AND TO TALISATION 57
NUPTIALS 66
2 Art and the logic of sensible qualities 72
\u2018PRIMITIVE\u2019 SCIENCE AND AESTHETICS 73
THE GENEALOGY OF ART : TWO PATHS 77
PHILOSOPHICAL AESTHETICS: THE LE麓VI-STRAUSSIAN TWIST 79
ANTHROPOLOGY AS AESTHETICS 86
PORTRAIT OF THE ARTIST AS A BRICOLEUR 89
MIMESIS IN A STRUCTURALIST PERSPECTIVE 90
3 The work of art as a system of signs 94
HOW SIGNSSIGNIFY 94
THE SENSIBLE AND THE IN TELLIGIBLE 107
LE麓VI-STRAUSS, SARTRE AND THE CREATIVE IMAGINATION 110
4 Structuralism, Symbolist poetics and abstract art 114
CORRESPONDANCES 115
SYMBOLISM AS EXPRESSION 117
A TRAIN JOURNEY 123
SYNAESTHESIA 126
STRUCTURALISM AND ABSTRACT ART 127
5 The anthropologist as art critic 133
THEART OF THE SIGNIFIER: \u2018PRIMITIVE\u2019 ART 134
CUBISM AND ABSTRACT ART 137
REPRESENTATION AS RECONSTRUCTION 140
IMPRESSIONISM 144
BEYOND THE EYE: STRUCTURAL REPRESENTATION 145
6 Nature, culture, chance 149
ART AND THE BODY 150
THE REFORMATION OF NATURE 156
FROM CADUVEO BODY PAINTING TO THE READYMADE 163
PAINTING, MYTH, MUSIC 173
7 From myth to music 181
MYTHICAL THINKING 186
FROM MYTH TO ART 193
MYTH AND MUSIC 204
8 Le麓vi-Strauss\u2019s mytho-poem 210
THE ACT OF INTERPRETATION AND THE STRUCTURAL UNCONSCIOUS 213
THE MIRROR OF MYTH 220
Conclusion: between concept and metaphor 231
References 244
Index 255
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