Shakespeare, national poet-playwright /

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作   者:Patrick Cheney.

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ISBN:9780521839235

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简介

Summary: Publisher Summary 1 An important book which reassesses Shakespeare as a poet and dramatist.   Publisher Summary 2 Reassessing Shakespeare as a poet and dramatist, Patrick Cheney contests critical preoccupation with Shakespeare as "a man of the theatre" by reclaiming his original standing as an early modern author. Cheney considers him as a working dramatist who composed extraordinary poems and traces Shakespeare's literary origins to his favorite author, Ovid. Although the book concentrates on Shakespeare's poems, it makes frequent reference to the plays, and ranges widely through the work of other Renaissance writers.  

目录

List of illustrations p. ix
Acknowledgements p. xi
Note on texts p. xiv
Proem: Shakespeare's "Plaies and Poems" p. 1
The Imprint of Shakespearean Authorship: Prelude: Shakespeare, Cervantes, Petrarch p. 13
The sixteenth-century poet-playwright p. 17
Francis Meres, the Ovidian poet-playwright, and Shakespeare criticism p. 49
1593-1594: The Print Author Presents Himself: Play scene: "Two Gentlemen" to "Richard III" p. 75
Authorship and acting: plotting Venus and Adonis along the Virgilian path p. 81
Publishing the show: The Rape of Lucrece as Lucanian counter-epic of empire p. 108
1599-1601: The Author Brought Into Print: Play scene: "Love's Labor's Lost" to "Troilus and Cressida" p. 143
"Tales...coined": "W. Shakespeare" in Jaggard's The Passionate Pilgrim p. 151
"Threne" and "Scene": the author's relics of immortality in "The Phoenix and Turtle" p. 173
1609: Imprinting the Question of Authorship: Play scene: "Measure for Measure" to "Coriolanus" p. 199
"O, let my books be ... dumb presagers": poetry and theatre in the Sonnets p. 207
"Deep-brain'd sonnets" and "tragic shows": Shakespeare's late Ovidian art in A Lover's Complaint p. 239
Epilogue: Ariel and Autolycus: Shakespeare's counter-laureate authorship p. 267
Works cited p. 284
Index p. 309

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