简介
"This is the first full-length study of Octavia, the only complete Roman drama of a historical subject, or fabula praetexta. The play deals with Nero's divorce from the princess Octavia, Claudius' daughter by Valeria Messalina,and with his subsequent marriage to Poppaea Sabina. Professor Ferri presents a critical edition of the text based on a fresh re-examination of the relevant manuscripts and provides a full discussion of textual issues. In the Introduction he argues that the play, wrongly ascribed to Seneca in our MSS, was composed in thelate Flavian period, and that the author relied on pre-existing historical accounts written after the death of Nero. He also discusses in detail the style and language of the play, strongly influenced by Senecan tragedy; its relationship to the other plays of the Senecan corpus, andparticularly to Hercules Oetaeus, its stagecraft and post-Classical dramatic conventions; and the author's politicalposition."--BOOK JACKET.
目录
Cover 1
Half-title 3
Title 5
Copyright 6
CONTENTS 9
PREFACE 11
INTRODUCTION 13
1. OCTAVIA AND ITS GENRE 13
2. THE HISTORICAL BACKGROUND OF OCTAVIA 15
3. THE DATE OF THE PLAY 17
The case for an early dating 17
The subject matter of Octavia and the lost histories of the Flavian age 21
Octavia and the Flavians 28
Statius\u2019 Siluae 29
A militant tragedy? 39
4. OCTAVIA AND THE SENECAN CORPUS 43
The language and style of the play 43
Relative position of adjectives and nouns 51
Metrics and prosody 52
Anapaest colometry 55
Composition and imitation 58
Octavia and Hercules Oetaeus 62
5. STRUCTURE AND DRAMATIC TECHNIQUE OF OCTAVIA 66
The structure of Octavia 79
6. THE POLITICS OF OCTAVIA 82
7. TEXTUAL TRANSMISSION AND EDITORIAL HISTORY 87
TEXT 95
SIGLA 96
INCERTI AVCTORIS OCTAVIA 97
OCTAVIA 97
NVTRIX 98
OCTAVIA. NVTRIX 99
CHORVS ROMANORVM 106
SENECA 109
NERO. PRAEFECTVS. SENECA 111
AGRIPPINA 116
OCTAVIA. CHORVS 118
NVTRIX. POPPAEA 120
CHORVS 122
NVNTIVS. CHORVS 123
CHORVS 123
NERO 124
PRAEFECTVS. NERO 125
CHORVS. OCTAVIA 126
COMMENTARY 131
APPENDIXES 419
APPENDIX A IMITATIONS OF SENECAN TRAGEDY 420
APPENDIX B IMITATIONS OF AUGUSTAN POETS 423
APPENDIX C DISJUNCTIONS OF DEMONSTRATIVES IN AUGUSTAN POETRY 425
BIBLIOGRAPHY AND ABBREVIATIONS 429
EDITIONS, COMMENTARIES, ADVERSARIA, TRANSLATIONS 429
WORKS CITED IN ABBREVIATED FORM 432
WORKS CITED BY AUTHOR AND DATE 440
INDEXES 448
Half-title 3
Title 5
Copyright 6
CONTENTS 9
PREFACE 11
INTRODUCTION 13
1. OCTAVIA AND ITS GENRE 13
2. THE HISTORICAL BACKGROUND OF OCTAVIA 15
3. THE DATE OF THE PLAY 17
The case for an early dating 17
The subject matter of Octavia and the lost histories of the Flavian age 21
Octavia and the Flavians 28
Statius\u2019 Siluae 29
A militant tragedy? 39
4. OCTAVIA AND THE SENECAN CORPUS 43
The language and style of the play 43
Relative position of adjectives and nouns 51
Metrics and prosody 52
Anapaest colometry 55
Composition and imitation 58
Octavia and Hercules Oetaeus 62
5. STRUCTURE AND DRAMATIC TECHNIQUE OF OCTAVIA 66
The structure of Octavia 79
6. THE POLITICS OF OCTAVIA 82
7. TEXTUAL TRANSMISSION AND EDITORIAL HISTORY 87
TEXT 95
SIGLA 96
INCERTI AVCTORIS OCTAVIA 97
OCTAVIA 97
NVTRIX 98
OCTAVIA. NVTRIX 99
CHORVS ROMANORVM 106
SENECA 109
NERO. PRAEFECTVS. SENECA 111
AGRIPPINA 116
OCTAVIA. CHORVS 118
NVTRIX. POPPAEA 120
CHORVS 122
NVNTIVS. CHORVS 123
CHORVS 123
NERO 124
PRAEFECTVS. NERO 125
CHORVS. OCTAVIA 126
COMMENTARY 131
APPENDIXES 419
APPENDIX A IMITATIONS OF SENECAN TRAGEDY 420
APPENDIX B IMITATIONS OF AUGUSTAN POETS 423
APPENDIX C DISJUNCTIONS OF DEMONSTRATIVES IN AUGUSTAN POETRY 425
BIBLIOGRAPHY AND ABBREVIATIONS 429
EDITIONS, COMMENTARIES, ADVERSARIA, TRANSLATIONS 429
WORKS CITED IN ABBREVIATED FORM 432
WORKS CITED BY AUTHOR AND DATE 440
INDEXES 448
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- 类型
- 大小
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