简介
The modernist avant-garde used manifestos to outline their ideas, cultural programs and political agendas. Yet the manifesto, as a document of revolutionary change and a formative genre of modernism, has heretofore received little critical attention. This study reappraises the central role of manifestos in shaping the modernist movement by investigating twentieth-century manifestos from Europe and the Black Atlantic. Manifestos by writers from the imperial metropolis and the colonial 'periphery' drew very different emphases in their recasting of histories and experiences of modernity. Laura Winkiel examines archival materials as well as canonical texts to analyse how Sylvia Pankhurst, Virginia Woolf, Mina Loy, Wyndham Lewis, Nancy Cunard, C. L. R. James, W. E. B. Du Bois, Zora Neale Hurston, Aim猫 C猫saire and others presented their modernist projects. This new focus on manifestos in their geographical and historical context allows for a revision of modernism that emphasizes its cross-cultural aspects.
目录
Cover 1
Half-title 3
Title 5
Copyright 6
Dedication 7
Contents 9
Acknowledgments 10
CHAPTER 1 Introduction: manifestos, race, and modernity 13
THE \u201cNOW\u201d TIME OF THE MANIFESTO 19
MANIFESTOS, RACE, AND THE ANXIETIES OF EMPIRE 32
THE TRANSNATIONAL NETWORKS OF ANTICOLONIAL NATIONALISM 48
PART I Cosmopolitan London, 1906\u20131914 55
CHAPTER 2 Women\u2019s suffrage melodrama and burlesque 57
WOMEN\u2019S SUFFRAGE MANIFESTOS 59
MELODRAMA AND MASS CULTURE 70
THE CONVERT 80
SUFFRAGE BURLESQUE 86
CHAPTER 3 Futurism\u2019 s music hall and India Docks 94
THE CONQUEST OF MODERNITY 96
MANIFESTOS AND THEATRICALITY 103
WORDS-IN-FREEDOM 110
EVENT AS INTERRUPTION: \u201cSUFFRAGETTES AND INDIA DOCKS\u201d 116
MINA LOY: \u201cSECRET SERVICE BUFFOON\u201d 124
CHAPTER 4 Vorticism\u2019s cabaret modernism and racial spectacle 133
THE CAVE OF THE GOLDEN CALF 137
BLAST AS THEATER 143
REBECCA WEST AND THE IMPERIAL EXOTIC 150
ENEMY OF THE STARS 156
PART II Transnational Modernisms, 1934\u20131938 167
CHAPTER 5 Nancy Cunard\u2019s Negro and black transnationalism 169
POLITICAL EPHEMERA 172
RACE AND UNEVEN TIMES 177
BLACK TRANSNATIONALISM 180
NEGRO AND THE RACIAL GROUND OF THE MODERN 194
CHAPTER 6 Reading across the color line: Virginia Woolf, C. L. R. James, and Suzanne and Aim茅 C茅saire 203
VIRGINIA WOOLF AND THE MANIFESTO 207
C. L. R. JAMES IN LONDON 223
THE C脡SAIRES\u2019 RETURN 238
EPILOGUE Manifestos: then and now 244
Index 250
Half-title 3
Title 5
Copyright 6
Dedication 7
Contents 9
Acknowledgments 10
CHAPTER 1 Introduction: manifestos, race, and modernity 13
THE \u201cNOW\u201d TIME OF THE MANIFESTO 19
MANIFESTOS, RACE, AND THE ANXIETIES OF EMPIRE 32
THE TRANSNATIONAL NETWORKS OF ANTICOLONIAL NATIONALISM 48
PART I Cosmopolitan London, 1906\u20131914 55
CHAPTER 2 Women\u2019s suffrage melodrama and burlesque 57
WOMEN\u2019S SUFFRAGE MANIFESTOS 59
MELODRAMA AND MASS CULTURE 70
THE CONVERT 80
SUFFRAGE BURLESQUE 86
CHAPTER 3 Futurism\u2019 s music hall and India Docks 94
THE CONQUEST OF MODERNITY 96
MANIFESTOS AND THEATRICALITY 103
WORDS-IN-FREEDOM 110
EVENT AS INTERRUPTION: \u201cSUFFRAGETTES AND INDIA DOCKS\u201d 116
MINA LOY: \u201cSECRET SERVICE BUFFOON\u201d 124
CHAPTER 4 Vorticism\u2019s cabaret modernism and racial spectacle 133
THE CAVE OF THE GOLDEN CALF 137
BLAST AS THEATER 143
REBECCA WEST AND THE IMPERIAL EXOTIC 150
ENEMY OF THE STARS 156
PART II Transnational Modernisms, 1934\u20131938 167
CHAPTER 5 Nancy Cunard\u2019s Negro and black transnationalism 169
POLITICAL EPHEMERA 172
RACE AND UNEVEN TIMES 177
BLACK TRANSNATIONALISM 180
NEGRO AND THE RACIAL GROUND OF THE MODERN 194
CHAPTER 6 Reading across the color line: Virginia Woolf, C. L. R. James, and Suzanne and Aim茅 C茅saire 203
VIRGINIA WOOLF AND THE MANIFESTO 207
C. L. R. JAMES IN LONDON 223
THE C脡SAIRES\u2019 RETURN 238
EPILOGUE Manifestos: then and now 244
Index 250
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