简介
When Pop-art paintings depicted Campbell soup cans or comic-book scenes of teen romance, did they stoop to the level of their mundane sources, or did they instead transmogrify the detritus of consumer culture into high art? In this study, Cecile Whiting declares the issues fundamentally irresolvable and instead takes the question itself, along with the varied answers it has generated, as the object of her analysis. Whiting presents case studies that focus on works by four artists - Tom Wesselmann, Roy Lichtenstein, Andy Warhol, and Marisol Escobar - who are closely associated with the Pop-art movement. Throughout her engaging analyses, Whiting unravels the gendered overtones of their cultural manoeuverings, noting how the connotations of masculinity as attached to the seriousness of high art, and the presumed frivolity and caprice of a feminine world of consumption repositioned cultural frontiers and reformulated the relation between sexes.
目录
Table Of Contents:
Illustrations vii(4)
Acknowledgments xi
Introduction 1(6)
1 Shopping for Pop 7(43)
Bonwit Teller's Warhol Window 9(13)
Oldenburg's Store 22(8)
Campbell Soup at the Bianchini Gallery 30(20)
2 Wesselmann and Pop at Home 50(50)
The Economy of Domesticity 51(9)
Postwar Cultural Hierarchies 60(5)
Collapsing Cultural Hierarchies 65(7)
Recoding Cultural Hierarchies 72(11)
Masculinity at Home 83(17)
3 Lichtenstein's Borrowed Spots 100(46)
Love and War 102(15)
Criticism and the Crisis in Masculinity 117(20)
Advertising with Pop 137(9)
4 Warhol, the Public Star and the Private Self 146(41)
The Private Lives of Public Stars 147(11)
Warhol's Selfless Celebrities 158(12)
Warhol's Selfless Self 170(7)
Camp and the New "In Crowd" 177(10)
5 Figuring Marisol's Femininities 187(44)
Hard- and Soft-Core Pop 189(6)
The Mysteries and Mirrors of Marisol 195(9)
The Fashionable Artist and Art as Fashion 204(17)
Marisol, Masquerade, Mimicry 221(10)
Conclusion 231(4)
Notes 235(42)
Cited Sources 277(20)
Index 297
Illustrations vii(4)
Acknowledgments xi
Introduction 1(6)
1 Shopping for Pop 7(43)
Bonwit Teller's Warhol Window 9(13)
Oldenburg's Store 22(8)
Campbell Soup at the Bianchini Gallery 30(20)
2 Wesselmann and Pop at Home 50(50)
The Economy of Domesticity 51(9)
Postwar Cultural Hierarchies 60(5)
Collapsing Cultural Hierarchies 65(7)
Recoding Cultural Hierarchies 72(11)
Masculinity at Home 83(17)
3 Lichtenstein's Borrowed Spots 100(46)
Love and War 102(15)
Criticism and the Crisis in Masculinity 117(20)
Advertising with Pop 137(9)
4 Warhol, the Public Star and the Private Self 146(41)
The Private Lives of Public Stars 147(11)
Warhol's Selfless Celebrities 158(12)
Warhol's Selfless Self 170(7)
Camp and the New "In Crowd" 177(10)
5 Figuring Marisol's Femininities 187(44)
Hard- and Soft-Core Pop 189(6)
The Mysteries and Mirrors of Marisol 195(9)
The Fashionable Artist and Art as Fashion 204(17)
Marisol, Masquerade, Mimicry 221(10)
Conclusion 231(4)
Notes 235(42)
Cited Sources 277(20)
Index 297
- 名称
- 类型
- 大小
光盘服务联系方式: 020-38250260 客服QQ：4006604884
云图客服：
用户发送的提问，这种方式就需要有位在线客服来回答用户的问题，这种 就属于对话式的,问题是这种提问是否需要用户登录才能提问
Video Player
×
Audio Player
×
pdf Player
×
